“…Studies of fashion designers as entrepreneurs and their relationship to geographical context have predominantly addressed global North or Westernised contexts (McRobbie, 2016), Australia (Heim et al., 2021; Tuite, 2019), New Zealand (Larner et al., 2007), and Canada (Brydges, 2018). Research on fashion entrepreneurs in the global South – including China (Ferrero‐Regis & Lindgren, 2012), Hong Kong (Skov, 2002) and Bangladesh (Khan, 2019), as well in Africa (Jennings, 2011; Langevang, 2017; Pather, 2015) – reflect wider attempts to de‐Westernise studies of creative labour (Alacovska & Gill, 2019), questioning who can be ‘creative’ (and accrue associated economic value) in fashion as a globalised creative industry (Khan, 2019).…”