2019
DOI: 10.2298/psi180130035n
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Individual differences in literary reading: Dimensions or categories

Abstract: Literary text reading has long been a subject of empirical research. Various measures of reader differences and reader typologies were suggested, with the most prominent being studies of literary expertise, and studies employing Literary Response Questionnaire (LRQ; Miall & Kuiken, 1995). Literary expertise is difficult to define and fails to account for potential differences within non-experts. LRQ and similar dimensional approaches neglect the possibility that a salient reader typology does exist. The main g… Show more

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Cited by 7 publications
(5 citation statements)
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References 49 publications
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“…They labeled their two second-order factors trance (with positive loadings on empathy, imagery vividness, leisure escape, and story-driven reading) and literary interpretation (with positive loadings on insight and concern with author and negative loading on rejection of literary values). Similarly, Nenadić and Oljača (2019) replicated Miall and Kuiken's (1995) study with Serbian students. Like van Schooten et al (2001), they confirmed the seven underlying dimensions of the LRQ but failed to replicate Miall and Kuiken's (1995) second-order factors.…”
Section: Changing Stances Toward Readingsupporting
confidence: 64%
See 1 more Smart Citation
“…They labeled their two second-order factors trance (with positive loadings on empathy, imagery vividness, leisure escape, and story-driven reading) and literary interpretation (with positive loadings on insight and concern with author and negative loading on rejection of literary values). Similarly, Nenadić and Oljača (2019) replicated Miall and Kuiken's (1995) study with Serbian students. Like van Schooten et al (2001), they confirmed the seven underlying dimensions of the LRQ but failed to replicate Miall and Kuiken's (1995) second-order factors.…”
Section: Changing Stances Toward Readingsupporting
confidence: 64%
“…Like van Schooten et al (2001), they confirmed the seven underlying dimensions of the LRQ but failed to replicate Miall and Kuiken's (1995) second‐order factors. Nenadić and Oljača (2019) proposed and validated a simplified questionnaire, the Receptiveness to Literature Questionnaire, with two main dimensions: reading for pleasure (roughly comparable to van Schooten et al's, 2001, trance factor) and thorough reading (roughly comparable to van Schooten et al's literary interpretation factor).…”
Section: Literary Interpretation As a Key Practicementioning
confidence: 99%
“…Nonexpert readers tend to evaluate poems differently and more heterogeneously than expert readers (Nenadić et al, 2019), and also appear to enjoy reading less than expert readers (Dorfman, 1996). Nonetheless, it has been suggested that grouping readers into categories might not be as useful as approaching reading experience dimensionally (Nenadić & Oljača, 2019).…”
Section: What Kind Of Emotions Does Poetry Elicit?mentioning
confidence: 99%
“…Literature has a clear thematic meaning, which can stimulate students' desire to explore, cultivate students' three-dimensional thinking, and develop their thinking quality [1]. At the level of literature reading teaching, the current use of popular science textbooks involves fewer literary texts, students have limited access to English literature, so teachers need to make full use of the existing literary texts, deeply stimulate students' interest in reading literature, and open the window of students' literature reading [2][3]. In literature reading teaching, teachers need to make efforts to stimulate students' curiosity, enhance the awareness of cultivating students' thinking ability, pay attention to the examination of students' thinking ability, reasonably select the content of thinking training in the teaching of the English subject, set teaching objectives, use reasonable teaching methods, and organize valuable thinking activities [4][5].…”
Section: Introductionmentioning
confidence: 99%