1978
DOI: 10.1037/0033-295x.85.3.172
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Integration of featural information in speech perception.

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Cited by 345 publications
(315 citation statements)
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“…This trend is evident for many types of models, including both connectionist models (e.g. the TRACE and MERGE models of speech perception; see McClelland & Elman, 1986;Norris, McQueen & Cutler 2000) and algebraic statistical models (e.g., the FLMP and LIM models of information integration; Oden & Massaro, 1978;N. Anderson, 1981;Navarro, Myung, Pitt & W. Kim, in press).…”
Section: Data-fitting: a Local Model Analysismentioning
confidence: 99%
See 1 more Smart Citation
“…This trend is evident for many types of models, including both connectionist models (e.g. the TRACE and MERGE models of speech perception; see McClelland & Elman, 1986;Norris, McQueen & Cutler 2000) and algebraic statistical models (e.g., the FLMP and LIM models of information integration; Oden & Massaro, 1978;N. Anderson, 1981;Navarro, Myung, Pitt & W. Kim, in press).…”
Section: Data-fitting: a Local Model Analysismentioning
confidence: 99%
“…Consider the task of distinguishing between Oden and Massaro's (1978) Fuzzy Logic Model of Perception (FLMP) and Anderson's (1981) Linear Integration Model (LIM), which are primarily concerned with questions of stimulus identification. A classic example is the perception of speech when participants see and hear a talker speak a syllable.…”
Section: Information Integration Modelsmentioning
confidence: 99%
“…The intellectual roots of Combination Theory can be traced back at least as far as the fuzzy logical model of perception (Oden & Massaro, 1978;Thompson & Massaro, 1989) and featureintegration theory (Treisman & Gelade, 1980). One formal instantiation of Combination Theory within categorization research is Lamberts's extension to the GCM (Generalized Context Model; Nosofsky, 1984), the EGCM (Extended Generalized Context Model; Lamberts, 1995).…”
Section: Combination Theorymentioning
confidence: 99%
“…One member of the class counts two stages in the perceptual process: a first stage in which, according to principles that apply to the way we hear all sounds, the auditory appearances of the acoustic patterns are registered, followed by a second stage in which, by an act of sorting or matching to prototypes, phonetic labels are affixed (Crowder & Morton, 1969;Fujisaki & Kawashima, 1970;Oden & Massaro, 1978;Pisoni, 1973). Just why such different acoustic patterns as the rising and falling transitions of our example deserve the same label is not explicitly rationalized, it being accounted, presumably, a characteristic of the language that the processes of sorting or matching are able to manage.…”
Section: Auditory Theories and The Accounts They Providementioning
confidence: 99%