Intelligent video tracking based on fuzzy-reasoning segmentation

Cho, Jae-Soo; Yun, Byoung-Ju; Ko, Yun-Ho

doi:10.1016/j.neucom.2006.10.027

Cited by 8 publications

(5 citation statements)

References 13 publications

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“…As far as we know there are no extensions of fuzzy data association algorithms to the video tracking problem, apart from the previous work by authors (Garcia et al 2005), and application to image segmentation in order to approximate conditional probability densities at pixel level (Cho et al 2007). The extension for data association in the video domain must cover the modeling of image attributes so that the information can be injected through the likelihood definition, p(Z|X), going further than the approaches based on ''point'' residuals, the formulation with multiblob-tomultitrack assignments (covering merging and splitting situations), and an efficient solution to multitrack situations avoids increasing the input space (among previous works only in (Gad et al 2002) is the practical problem of developing rules with a high number of targets considered).…”

Section: Sensor Data Association and Soft-computing Approachesmentioning

confidence: 99%

“…The application of a soft-computing paradigm to video tracking and motion correspondence is much scarcer, outstanding the previous work by the authors (Garcia 2002;Garcia et al 2005), and application to image segmentation in order to approximate conditional probability densities at pixel level (Cho et al 2007). In this paper we present a robust method for visual data association based on the integration of visual information at several levels of granularity: low-level image segmentation operations, medium-level smoothness criteria on target features and high-level constraints on tracking continuity.…”

Section: Introductionmentioning

confidence: 99%

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Fuzzy region assignment for visual tracking

et al. 2011

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In this work we propose a new approach based on fuzzy concepts and heuristic reasoning to deal with the visual data association problem in real time, considering the particular conditions of the visual data segmented from images, and the integration of higher-level information in the tracking process such as trajectory smoothness, consistency of information, and protection against predictable interactions such as overlap/occlusion, etc. The objects' features are estimated from the segmented images using a Bayesian formulation, and the regions assigned to update the tracks are computed through a fuzzy system to integrate all the information. The algorithm is scalable, requiring linear computing resources with respect to the complexity of scenarios, and shows competitive performance with respect to other classical methods in which the number of evaluated alternatives grows exponentially with the number of objects.

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Section: Sensor Data Association and Soft-computing Approachesmentioning

confidence: 99%

Section: Introductionmentioning

confidence: 99%

Fuzzy region assignment for visual tracking

et al. 2011

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“…Color is an important element in all visual arts, especially in film and television works [2]. The design of animation color can not simply copy the color of life, but requires the designer to carefully design the artistic color with revealing the theme and rendering the atmosphere according to the changes of the plot development [3][4]. Animation companies use two-dimensional combined with three-dimensional digital animation technology to achieve animation color: using color vision to express emotions, express emotions and render artistic conception.…”

Section: Introductionmentioning

confidence: 99%

Deep Integration of Chinese Modern Natural Painting Color and Film Ecological Art

Jun¹

2021

JFCR

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The influence of beautiful color and composition on the film is very important. The colorful and hearty pictures not only make people have an amazing visual impact, but also enrich people's emotions. The perfect and full composition not only contains a lot of information and meaning, but also is the necessary means of plot and thinking. This paper focuses on the color and composition of the film screen. This paper analyzes and summarizes the representative typical elements to explore the beauty of the film screen. This paper puts forward that a good film should be good at using the color and composition of art to express the atmosphere and artistic conception of the film and convey the ideological connotation of the creator. This paper expounds that it is one of the inherent laws of film to interpret film with the beauty of picture. Whether it is gorgeous beauty, traditional beauty, true beauty or unsophisticated beauty, they are all different artistic expressions of beauty. The pursuit of materialization and transmission of beauty with film pictures is the essence of film art full of vitality. The experimental study shows that the viewpoint put forward in this paper is consistent with "art aesthetics takes the aesthetic phenomena, activities, laws and values in art as the research objects".

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“…For many years, the scientific community has demonstrated an increasing interest in the study of artificial vision. Image processing applications are varied and include such aspects as remote monitoring [18], biomedical image analysis [17], character recognition [16], virtual reality applications, and enhanced reality in collaborative systems, tracking [15], among others. Although image analysis and people detection is a well explored topic, the use of multi-agent technology in this area has become the focal point of important interest [9].…”

Section: Introductionmentioning

confidence: 99%