Interlocuções entre arte e arquitetura como práticas críticas: a teoria arquitetônica de Bernard Tschumi e a cena artística dos anos 1970

Solfa, Marilia

doi:10.11606/d.18.2010.tde-14092010-100708

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“…É interessante notar que, da mesma maneira como desenvolvia um discurso sobre si, Oiticica construiu nessas cartas uma imagem de Smith ao mesmo tempo polifônica e redundante. Nesse sentido, os artigos, dissertações e teses que mencionam a relação entre os dois artistas -cada vez mais numerosos -tendem a adotar esse prisma, seja aproximando-se da questão arquitetônica relacionada a seu loft (SOLFA, 2010;LOPES, 2012), ou na maneira como Smith atravessou Oiticica via cinema (ver, por exemplo, BENTES, 2002;HERKENHOFF, 2005). Essa tendência reforça a ideia de que o artista brasileiro colaborou para construir um discurso dominante não apenas sobre si, mas sobre os personagens que trazia para o seu universo referencial.…”

Section: O Arquivismo No Gerúndio De Oiticicaunclassified

O Contato Antológico Entre Hélio Oiticica E Jack Smith: Underground E Tropical Things

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This dissertation concerns the relationship between artists Hélio Oiticica and Jack Smith in the bustling atmosphere of 1970`s New York. Even though Smith is little know in Brazil, he was an important artist in New York`s underground culture, often pointed as one of the forerunners of performance art and expanded cinema. During his first months in New York (1970-1978), Oiticica wrote to his friends about how perplexed he was at Smith and his work, comparing him to characters and manifestations that were part of his sphere, such as actor Mario Montez and the Teatro do Ridículo. Departing from the Brazilian artist's letters and Jack Smith's files, this research investigates how their relationship has developed in personal and professional terms. Rather than looking for points of similarity or difference, this dissertation aims to put the work of these artists in frictionfrom their holes, absences, apertures and gaps. In this sense, their meeting will be the starting point for the discussion both of questions in their own work and of the relationship each of them has established with archival practices, the expansion of exercises on the possibilities of gender and sexuality, as well as reflections and projects derived from their claims against conventional cinema. In addition to Oiticica's best known works, such as Cosmococaprogram in progress (1973-1974) and the article "Mario Montez, tropicamp" (1971), this thesis will analyze some of Jack Smith`s works and documents, such as an unpublished script he wrote in Rio de Janeiro in 1966, called Carnaval in Lobsterland.

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Section: O Arquivismo No Gerúndio De Oiticicaunclassified

O Contato Antológico Entre Hélio Oiticica E Jack Smith: Underground E Tropical Things

ROIFFE¹

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Interlocuções entre arte e arquitetura como práticas críticas: a teoria arquitetônica de Bernard Tschumi e a cena artística dos anos 1970

Cited by 1 publication

References 1 publication

O Contato Antológico Entre Hélio Oiticica E Jack Smith: Underground E Tropical Things

O Contato Antológico Entre Hélio Oiticica E Jack Smith: Underground E Tropical Things

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