Intonation in Romance 2015
DOI: 10.1093/acprof:oso/9780199685332.003.0002
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Intonational phonology of Catalan and its dialectal varieties

Abstract: AND MARIA DEL MAR VANRELL 2.1 Introduction 2.1.1 Geographical distribution of the Catalan language Catalan is a Romance language that is spoken by about 10 million people in a region that lies within four adjacent European states, Andorra, Italy, France, and Spain. 1 Fig. 2.1 shows a map of the geographical areas where Catalan is spoken, subdivided into its major and traditionally accepted dialects (Veny 1982): Central Catalan and Northwestern Catalan (spoken in Catalonia, Aragon, and Andorra), Valencian Catal… Show more

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Cited by 75 publications
(49 citation statements)
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References 87 publications
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“…Our analysis reveals that the pitch range difference between CQs and NEQs is significant for speakers of both geographical regions. This is in line with findings from other Romance languages that equally mark non-neutral questions by a wider pitch range ( [9], [10], [19] and [20]). As a basic principle, the intonational meaning of CQs is conveyed acoustically, through differences in the pitch range of the nuclear configuration.…”
Section: Discussionsupporting
confidence: 92%
See 1 more Smart Citation
“…Our analysis reveals that the pitch range difference between CQs and NEQs is significant for speakers of both geographical regions. This is in line with findings from other Romance languages that equally mark non-neutral questions by a wider pitch range ( [9], [10], [19] and [20]). As a basic principle, the intonational meaning of CQs is conveyed acoustically, through differences in the pitch range of the nuclear configuration.…”
Section: Discussionsupporting
confidence: 92%
“…Next to the tonal differences, all varieties also distinguish NEQs from CQs by expanding the pitch range of the CQs ( [5], [6], [7] and [8]). The combination of tonal movement and pitch excursion is also attested in other Romance languages, such as Italian [9] or Catalan [10].…”
Section: Echo Wh-questionsmentioning
confidence: 80%
“…To combine the results from our two analyses, the rising-then-falling contour in condition 0 in both dialects is actually consistent with the presence of a rising pitch accent associated with the stressed syllable in the verb, which, in prenuclear position, tends to present a delayed peak (L + <H* in Cat_ToBI notation; Prieto et al 2015). The presence of a delayed peak explains why the highest point in the contour appears after the stressed syllable.…”
Section: Phrasal Accent and F0 Contoursmentioning
confidence: 61%
“…Calling contours have been shown to have strong similarities in many languages, in particular in the case of the chanted version characterized by a rise followed by a step down from the high level to a sustained pitch (Ladd, 2008). In most varieties of Portuguese, and also in Catalan and Spanish (Frota, 2014;Frota et al, 2015;Hualde & Prieto, 2015;Prieto, 2014;Prieto et al, 2015), a similar pitch pattern is found with a rising movement into a peak on the accented syllable and a following step down into a sustained final pitch that spreads in the post-tonic stretch. The vocative chant contour is illustrated in Figure 4 for Brazilian Portuguese (the variety from Bahia, in the North of Brazil) and Catalan.…”
Section: The Calling Contourmentioning
confidence: 89%
“…The first case I address is the rise-fall pitch pattern that has been recurrently described for narrow focus statements in the European varieties of Portuguese (hereafter EP; Cruz, 2013;Fernandes, 2007;Frota, 2000Frota, , 2002Frota, , 2014Frota et al, 2015), in most Catalan varieties (Prieto, 2014;Prieto et al, 2009;Prieto et al, 2015), in Spanish (Hualde & Prieto, 2015;Vanrell et al, 2013), and in most Italian varieties (Gili Fivela et al, 2015;. The contour is illustrated in Figure 1, for EP and Catalan.…”
Section: Rise-fall Pitch Pattern and The Narrow Focus Contourmentioning
confidence: 99%