Introduction

Rupprecht, Philip

doi:10.1017/cbo9781139033350.001

British Musical Modernism 2015

DOI: 10.1017/cbo9781139033350.001

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Introduction

Philip Rupprecht¹

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2018

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“…13 While acknowledging the occasional internationalist striving, Rupprecht instead foregrounds the insularity of the Manchester School and posits a specifically English (rather than internationalist) musical modernism. 14 Paradoxically, research on Egon Wellesz, who spent half his professional life in Britain and serves as Levi's case study, remains the domain of exile studies, much of it by Austrian-based authors and published in German. This perplexing paradox is also manifest in the field of film and film music studies, as I detail in my section.…”

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‘Who Is British Music?’ Placing Migrants in National Music History

Scheding¹,

Scott

Levi

et al. 2018

Twentieth-Century Music

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In 2013, trucks and vans were driving across London, bearing the message ‘In the UK illegally? Go home or face arrest.’ These mobile billboards declared the number of arrests that had taken place ‘in your area’ in the previous week and provided a number to which people could text the message ‘HOME’ to initiate voluntary repatriation. In 2016, Theresa May, who had organised this scheme as home secretary, became prime minister, following the upheaval caused by the country's plebiscite to leave the European Union. One of the main strands of argument of the successful ‘Brexit’ campaign centred on the ‘deep public anxiety . . . about uncontrolled immigration’ and promised to reduce numbers of immigrants to the country. This desire to control the nation's borders continued to dominate the official soundscape of Britain's government. At the 2016 annual Tory conference, May endeavoured to draw clear lines on issues of belonging, territory, citizenship, and the fuzzy notion of British values, discursively excluding not only migrants, but also anyone with an international(ist) outlook from the national debate: ‘If you believe you are a citizen of the world’, she posited, ‘you are a citizen of nowhere.’

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mentioning

confidence: 99%

‘Who Is British Music?’ Placing Migrants in National Music History

Scheding¹,

Scott

Levi

et al. 2018

Twentieth-Century Music

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show abstract

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Introduction

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‘Who Is British Music?’ Placing Migrants in National Music History

‘Who Is British Music?’ Placing Migrants in National Music History

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