Introduction:

Spadaccini, Nicholas; Martín-Estudillo, Luis

doi:10.2307/j.ctv17vf719.3

Hispanic Baroques 2005

DOI: 10.2307/j.ctv17vf719.3

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Introduction:

Nicholas Spadaccini¹,

Luis Martín-Estudillo²

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The centre of the world: The material construction of Eurocentric domination and hybridity in a Scandinavian 17th-century context

Nordin

2013

Journal of Material Culture

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The New World was present in material representations in the 17th-century castle of Skokloster, Sweden, in contrast to the concepts of history and centrality that were used in the construction of a locality of power in a European colonial society. Material displays, architecture and art visually constructed the New World as an integral, yet inferior, part of the Old World. The commodification of the material culture of the North American Indian reproduced the dominion of the colonial powers but at the same time included the New World in the old. Parallel to this process was the integration of history on the estate. Architecture, the construction of landscape and material culture became an arena for the display of a new, hybrid global culture, signifying the advent of modernity. Although juxtaposed in their display, the New and Old Worlds mingled and created a world of hybridity expressed and executed in the castle and estate of Skokloster.

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The centre of the world: The material construction of Eurocentric domination and hybridity in a Scandinavian 17th-century context

Nordin

2013

Journal of Material Culture

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Sam Shepard and the “True” West

Matysiak¹

2019

Polish Journal for American Studies

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The theater of Sam Shepard has almost emblematically been considered the epitome of the American, particularly the Southwestern, myth of the frontier and, hence, the vastness and masculine expansiveness it traditionally symbolizes. However, Shepard’s theatre attains, I believe, its true potential only when approached in the perspective of the (Neo)Baroque paradigm. Therefore, this article will indicate an alternative manner of interpreting his dramatic thought; the manner, which, as I will argue, allows for re-contextualizing the position of Shepard on the American stage.

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The Powerful, the Poor, and the Politics of Representation in Luis Estrada'sUn mundo maravilloso(2006)

Robinson

2014

Studies in Latin American Popular Culture

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Introduction:

Cited by 3 publications

References 0 publications

The centre of the world: The material construction of Eurocentric domination and hybridity in a Scandinavian 17th-century context

The centre of the world: The material construction of Eurocentric domination and hybridity in a Scandinavian 17th-century context

Sam Shepard and the “True” West

The Powerful, the Poor, and the Politics of Representation in Luis Estrada'sUn mundo maravilloso(2006)

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