Experimental Phonetics 2014
DOI: 10.4324/9781315842059-1
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Introduction: impressionistic phonetics and experimental phonetics

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Cited by 7 publications
(8 citation statements)
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“…For humans, the optimized encoding of relatively fast dynamics; for example at the phoneme level, is critical for speech recognition and communication (Shannon et al, 1995; Tallal et al, 1996; Tallal and Piercy, 1975). Many important speech components like formant transitions, voice onset times, or stops are on very fast time scales of 100 ms or less (Hayward, 2000). Additionally, the sound envelope described by relatively fast temporal modulations (1–10 Hz in quiet environments, 10–50 Hz in noisy environments) is important for speech recognition (Elliott and Theunissen, 2009; ; Shannon et al, 1995).…”
Section: Discussionmentioning
confidence: 99%
“…For humans, the optimized encoding of relatively fast dynamics; for example at the phoneme level, is critical for speech recognition and communication (Shannon et al, 1995; Tallal et al, 1996; Tallal and Piercy, 1975). Many important speech components like formant transitions, voice onset times, or stops are on very fast time scales of 100 ms or less (Hayward, 2000). Additionally, the sound envelope described by relatively fast temporal modulations (1–10 Hz in quiet environments, 10–50 Hz in noisy environments) is important for speech recognition (Elliott and Theunissen, 2009; ; Shannon et al, 1995).…”
Section: Discussionmentioning
confidence: 99%
“…The specific command used to extract formants in Praat was Sound: To Formant (burg). This command uses linear predictive coding (LPC) to determine the contour of formants which is based on equations which predict the amplitude of the waveform at any particular moment in time on the basis of what occurred beforehand (Hayward, 2000). The particular Burg algorithm implemented by this command in Praat is that of Press, Teukolsky, Vetterling, and Flannery (1992).…”
Section: Methodsmentioning
confidence: 99%
“…Participants were recorded reading a short passage (henceforth referred to as ‘The Wolf Passage’) which is attached in Appendix I. Recordings were made in a quiet room using a high quality digital PCM recorder and saved on the computer in .wav format with the sampling rate of 10,000 Hz which is frequently used in phonetic research (Hayward, 2000: 68). The ‘Wolf Passage’ was selected because it contains sufficient examples of vowels and consonants as well as a good balance of phonological environments to measure the different sounds (Deterding, 2006a).…”
Section: Participants and Datamentioning
confidence: 99%