2007
DOI: 10.1177/0963947007075978
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Introduction to foregrounding: a state of the art

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Cited by 66 publications
(9 citation statements)
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“…Few have done as much as Willie van Peer to maintain the heart, and at the same time to apply the mind to the study of literature. In his research on point of view and sympathy (van Peer & Maat 1996) and on foregrounding (van Peer 1986(van Peer , 2007, he has shown how we can deepen our understanding of central aspects of literariness -the heart of literature -and offer evidence in the place of opinion.…”
Section: Introductionmentioning
confidence: 99%
“…Few have done as much as Willie van Peer to maintain the heart, and at the same time to apply the mind to the study of literature. In his research on point of view and sympathy (van Peer & Maat 1996) and on foregrounding (van Peer 1986(van Peer , 2007, he has shown how we can deepen our understanding of central aspects of literariness -the heart of literature -and offer evidence in the place of opinion.…”
Section: Introductionmentioning
confidence: 99%
“…At the empirical level, previous findings from various studies also confirm the potentials of literature in English language classes and they indicate that the use of literature in language teaching enriches the learners' linguistic awareness and rhetorical structure of literary discourse (Nachmanovitch, 1990;Zyngier, 2006;Spiro, 2007;Van Peer, 2007). Related to these empirical evidences are the studies of Muthusamy, Mohamad, Ghazali, and Subrayan (2010) on how literature helps in developing the imagination of second language learners, Cheung, Tse and Tsang (2003) on the relationship between creativity and creative writing skills; and Coles (2015) on the potentials of literature in stimulating the creative imagination of students.…”
Section: The Research Problem and Its Rationalementioning
confidence: 68%
“…O foregrounding diz respeito à deteção (explícita e implícita) da variedade de recursos estilísticos característicos do conjunto de códigos que, orgânica e unitariamente considerados, imprimem ao texto poético um caráter único (Grimes, 2000;Levinson, 2004;Perfect, 1999;Pierce, 2003;Strickland & Strickland, 1997;Van Peer, 2007). Entre esses recursos estilísticos, contam-se: o código fónico-rítmico, referente a padrões de som e entoação com a intenção de levar a escutar de um modo particular; o código métrico que organiza, de maneira peculiar, a forma do texto; o código estilístico que condensa comparações, metáforas, imagens e significados, envolvendo o entendimento, a fruição estética e apelando em simultâneo para o universo da emoção, dos sentimentos e da criatividade; o código técnico-compositivo que organiza e articula as macroestruturas formais e o conteúdo; e o código semântico-pragmático que, não sendo específico do texto poético, lhe imprime uma especial conotação plurissignificativa ou, no dizer de Graham, "uma representação multinivelada" (1997, p. 187).…”
Section: As Características Distintivas Do Texto Poético: a Literarieunclassified