Abstract:Considering insights from ‘third-wave’ literature, this paper examines the impact of young women’s online activism on the visibility of feminist engagement in New Zealand. Drawing on 40 interviews with women of all ages who are concerned with women’s political issues in New Zealand, I identify a generational divide in the ways these women participated in feminist activities and I argue that online activism is a key form of participation for many young women. Since online activism is only visible to those who u… Show more
“…The fact that women outnumber men on social media sites is well documented (Blakley 2012, p. 342;Duggan and Brenner 2013;Clifford 2014). While recent figures suggest that this divide is beginning to decrease, with more men using social networking sites such as Reddit, Twitter, and LinkedIn (Duggan and Brenner 2013), there is an understanding that women across all age groups generally spend more time on and/or have more use for the majority of social media sites (Harris 2008;Blakley 2012;Schuster 2013). This poses some challenges to both classic and contemporary feminist discourse, and women's dominance of social media can be read as both a continuation of and a challenge to their historical exclusion from 'public' political and cultural space.…”
Section: Discussionmentioning
confidence: 99%
“…The rise of social media is often identified as a site that promotes the production of narcissistic and highly individualistic subjects whose performance of the self is consistent with the celebration of neoliberal values (Giroux 2015). Moreover, as the use of social media is gendered (Blakley 2012;Clifford 2014;Duggan and Brenner 2013;Harris 2008;Miller 2016;Schuster 2013), concern is often expressed in popular and academic discourse about the consequences of young women's digital practices (Sanghani 2014;Sales 2016). There is a strong desire to determine whether these practices are inherently oppressive or empowering to women (Bates 2016;Hodkinson 2017;Mesch 2009).…”
Section: The Trajectory Of Feminismmentioning
confidence: 99%
“…Feminist research has highlighted the scepticism older feminists often express towards new forms of 'digital' feminism (Schuster 2013). This is due to the largely 'hidden' and perceived individualistic nature of this feminism-allegedly lacking the consciousness-raising groups and meetings that were so central to the WLM.…”
Section: What Role Is Played By Virtual Spaces and Digital Femininitimentioning
Abstract:The 'personal is political' has long been recognised as the definitive slogan of second-wave feminism but can it still inform our understanding of the contemporary practice of feminism? Questioning the importance of this claim now invites us to critically reflect upon the trajectory Western feminism has followed in light of the efforts made by the Women's Liberation movement to politicise formerly unquestioned aspects of social relations. In this paper, the significance of this feminist slogan will be assessed by locating it within two broadly defined historical periods. Firstly we identify the critical work performed by the ideas expressed in the slogan in the early years of the 1970s and then assess their continued relevance within the context of the early 21st century. Drawing upon the empirical analysis of young women's experience of and relationship to feminism via their engagement with social media in Britain, this research critically assesses digital spaces as places where young women explore their personal experiences. We aim to understand how this may constitute a contemporary form of feminist practice consistent with the claim that 'the personal is political'.
“…The fact that women outnumber men on social media sites is well documented (Blakley 2012, p. 342;Duggan and Brenner 2013;Clifford 2014). While recent figures suggest that this divide is beginning to decrease, with more men using social networking sites such as Reddit, Twitter, and LinkedIn (Duggan and Brenner 2013), there is an understanding that women across all age groups generally spend more time on and/or have more use for the majority of social media sites (Harris 2008;Blakley 2012;Schuster 2013). This poses some challenges to both classic and contemporary feminist discourse, and women's dominance of social media can be read as both a continuation of and a challenge to their historical exclusion from 'public' political and cultural space.…”
Section: Discussionmentioning
confidence: 99%
“…The rise of social media is often identified as a site that promotes the production of narcissistic and highly individualistic subjects whose performance of the self is consistent with the celebration of neoliberal values (Giroux 2015). Moreover, as the use of social media is gendered (Blakley 2012;Clifford 2014;Duggan and Brenner 2013;Harris 2008;Miller 2016;Schuster 2013), concern is often expressed in popular and academic discourse about the consequences of young women's digital practices (Sanghani 2014;Sales 2016). There is a strong desire to determine whether these practices are inherently oppressive or empowering to women (Bates 2016;Hodkinson 2017;Mesch 2009).…”
Section: The Trajectory Of Feminismmentioning
confidence: 99%
“…Feminist research has highlighted the scepticism older feminists often express towards new forms of 'digital' feminism (Schuster 2013). This is due to the largely 'hidden' and perceived individualistic nature of this feminism-allegedly lacking the consciousness-raising groups and meetings that were so central to the WLM.…”
Section: What Role Is Played By Virtual Spaces and Digital Femininitimentioning
Abstract:The 'personal is political' has long been recognised as the definitive slogan of second-wave feminism but can it still inform our understanding of the contemporary practice of feminism? Questioning the importance of this claim now invites us to critically reflect upon the trajectory Western feminism has followed in light of the efforts made by the Women's Liberation movement to politicise formerly unquestioned aspects of social relations. In this paper, the significance of this feminist slogan will be assessed by locating it within two broadly defined historical periods. Firstly we identify the critical work performed by the ideas expressed in the slogan in the early years of the 1970s and then assess their continued relevance within the context of the early 21st century. Drawing upon the empirical analysis of young women's experience of and relationship to feminism via their engagement with social media in Britain, this research critically assesses digital spaces as places where young women explore their personal experiences. We aim to understand how this may constitute a contemporary form of feminist practice consistent with the claim that 'the personal is political'.
“…Continuing analysis of the different ways in which women see themselves as engaging politically in a politically constrained environment could potentially further develop the frame of contentious politics. It should include those activities and claims often ignored in a focus on "traditional" forms of social protest that are often exclusionary to women and women's gendered experiences of wider political concerns and articulations of feminisms (see also Staggenborg and Taylor 2005;Schuster 2013). While it is clear that Russia's hybrid regime presents a constrained and evolving set of opportunity structures for women to engage in contentious politics, particularly those framed in feminist terms, there are spaces nevertheless.…”
“…Various perspectives have looked at the relationship between both offline and online political activities as well as the capacity of the web to enhance political participation (i.e. Livingstone et al, 2005;Lance Bennett, 2007in Schuster, 2013. Making reference to Howard (2011), Khamis (in Carter et al, 2015) has defined cyber-activism as the use made of new technologies to push forward a political cause that encounters resistance offline.…”
Section: Cyberfeminism and Online Activism: An Assessmentmentioning
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