1991
DOI: 10.2307/462686
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Jorge Guillen and the Insufficiency of Poetic Language

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Cited by 4 publications
(3 citation statements)
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“…62 This faith in words circumscribes the Spanish poet Jorge Guillén's vision of poetry, where the language of poetry does not discount any word in advance because any expression, as Guillén points out in Lenguaje y poesia, "can give shape to the phrase." 63 It has a demo cratic approach to words but implicates a closer examination of words than what we usually do in prose. The relationship between language and experience is vexed and opinions are divided over the ac cep tance of the insufficiency of language and unrepresentability of experiences.…”
Section: Act IIImentioning
confidence: 99%
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“…62 This faith in words circumscribes the Spanish poet Jorge Guillén's vision of poetry, where the language of poetry does not discount any word in advance because any expression, as Guillén points out in Lenguaje y poesia, "can give shape to the phrase." 63 It has a demo cratic approach to words but implicates a closer examination of words than what we usually do in prose. The relationship between language and experience is vexed and opinions are divided over the ac cep tance of the insufficiency of language and unrepresentability of experiences.…”
Section: Act IIImentioning
confidence: 99%
“…Our book's final pair of chapters constitutes a concluding demonstration of two ways to think lit er a ture across continents. Tagore,Rabindranath,1,[27][28][32][33][34][35]38,45,48,73,111,126,129,141,165,173; 21,31,[49][50]58 Tennyson,Alfred Lord,22,32,63,191.…”
Section: Truth and Lie In Framley Parsonagementioning
confidence: 99%
“…Por su elevado propósito, doctamente fundamentado; por una densa escritura de eficaces virtudes literarias, Lenguaje y poesía ha obtenido un reconocimiento indiscutido y puede considerarse una obra modelo. Acaso por estas mismas razones, apenas ha obtenido, con excepciones contadas, atención directa por parte de los estudiosos (Mayhew, 1991). Los mejores trabajos que se han dedicado a la crítica de Guillén son pues caracterizaciones de conjunto (Chiarini, 1975;Rico, 2003: 17-23), o se ocupan de aspectos muy determinados (Sibbald, 1994a;1994b), en especial las ideas literarias de los artículos periódisticos de los años veinte, por su relación con la composición de las primeras ediciones de Cántico (Lázaro Carreter, 1990: 180-220;Pozuelo Yvancos, 1994;1995).…”
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