Keterpenjaraan perempuan dalam ruang kota di dalam Lost in translation (2003) dan The good girl (2002)

Saraswati, Asri

doi:10.17510/wjhi.v11i1.149

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“…Mengenai penggambaran seorang perempuan atau mengenai kedudukan perempuan, penelitian sudah cukup banyak dilakukan, baik yang berkaitan dengan teks Jawa maupun teks lain. Beberapa penelitian itu mengenai Serat Wulang Putri dan Serat Suluk Residriya karya Pakubuwana IX (Widyastuti 2014), teks dongeng (Hapsarani 2017), film (Haryanti dan Fiona 2014;Dianingtyas 2010;Saraswati 2009), iklan (Kumar 2017;Budianto 2003), media (Sushartami 2012;Paramaditha 2003), dan arca (Indradjaja 2017).…”

Section: Pendahuluanunclassified

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Representasi Perempuan Jawa Dalam Serat Wulang Putri: Analisis Wacana Kritis

Fitriana

2019

Paradigma

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<p>The Javanese culture has a specific perspective on the ideal figure of women. This perspective is generally manifested in the classical texts, for example, in Serat Wulang Putri Adisara. Written by Nyi Adisara. Serat Wulang Putri contains the teachings for royal daughters in living their life as Javanese women based on Javanese teachings. In this manuscript, the readers can see the women figure portrayed from the perspective of a woman writer. This paper discusses the ideal women’s discourse in Serat Wulang Putri using the approach of critical discourse analysis from van Dijk. The analysis is conducted by considering the text’s microstructure, macrostructure, and cultural context. Through the analysis, we can see the ideal discourse of Javanese women based on Serat Wulang Putri. Furthermore, the text discusses women as figures who must pay attention to their attitudes and behavior, and can control their hearts, minds, and feelings. In this case, the author uses the male point of view to describe the characteristics of ideal Javanese women. Javanese women are also described as a weak figure and must obey what men command or expect from them.</p>

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Section: Pendahuluanunclassified

“…Perempuan direpresentasikan sebagai sosok yang lemah dan tidak berdaya karena berada di bawah dominasi laki-laki. Dalam film Lost in translation dan The good girl (Saraswati 2009), bahkan kota digambarkan sebagai penjara untuk karakter perempuan. Representasi perempuan dalam film R.A Kartini berbeda dengan film Arisan 2.…”

Section: Pendahuluanunclassified

Representasi Perempuan Jawa Dalam Serat Wulang Putri: Analisis Wacana Kritis

Fitriana

2019

Paradigma

View full text Add to dashboard Cite

show abstract

Keterpenjaraan perempuan dalam ruang kota di dalam Lost in translation (2003) dan The good girl (2002)

Cited by 1 publication

References 0 publications

Representasi Perempuan Jawa Dalam Serat Wulang Putri: Analisis Wacana Kritis

Representasi Perempuan Jawa Dalam Serat Wulang Putri: Analisis Wacana Kritis

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