La Famille du Roi Amasis

Meulenaere, H De

doi:10.1177/030751336805400131

Cited by 26 publications

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“…She is nonetheless only known for certain from two objects. 75 Similarly, Nitocris A and Ankhnesneferibre are not attested before accession to the position of god's wife except on their adoption stelae. It has been suggested that Amasis might have put aside an unknown daughter of Apries in installing his own daughter Nitocris B.76 The same fate for a daughter of Necho II could be consistent with the evidence for the unexplained replacement of the latter's name by that of his son, Psammetichus II, on a number of monuments,77 although this would mean that the latter removed his own sister from her position.…”

Section: Context and Compositionmentioning

confidence: 99%

The Adoption of Ankhnesneferibre at Karnak

Leahy¹

1996

The Journal of Egyptian Archaeology

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Section: Context and Compositionmentioning

confidence: 99%

The Adoption of Ankhnesneferibre at Karnak

Leahy¹

1996

The Journal of Egyptian Archaeology

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“…The technique and style of sculpting are excellent examples of the Archaizing style of the Twenty-six Dynasty and some innovation elements were inherited from foreign influences of Libyans and Kushites. 14 Psmatik I appear wearing the Egyptian tradition royal costumes such as a kilt in kneeling statue 15 (pl. 3) and the also they appear wearing the capcrown which its rooting is still ambiguous to Egypt or Nubia.…”

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Egyptian Costumes in Saite Period between Renaissance and Novelty(ca. 657 - 525 B.C)

Magdy¹

2014

The Conference Book of the General Union of Arab Archeologists

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Due to the longtime of interaction between Egypt and different nations, it is easy to find out the exchanges influences through the artistic production. The costumes during Saite Period revealed many innovations elements for both kings and individuals and may these innovation elements mingled with the traditional elements. For example costumes during the Twenty-six Dynasty (Saite) was characterized with many different styles, which appeared in various types of crowns, headdresses, garments and cloaks, and there is interesting Saite kings and Individuals' clothing which are worn in addition to traditional Egyptian clothing. In this paper, I try to answer an important question: Did the, Saites adapt all Egyptian clothing items only without influencing with Libyan and Kushite innovative elements? The article concludes with that, during Saite Period, the kings and individuals did not imitate the costumes of ancestors directly, but followed a new style combining both Egyptian and foreign influences, the costumes (e.g. crowns and headdresses, clothing) during Saite period characterized with archaizing or renaissance features with novelty and innovation. The paper concludes that the costumes of kings and individuals did not only depend on reuse the Old and Middle Kingdom artistic style, but also they add some innovation elements which are foreign.

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The Cambridge Ancient History

1992

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La Famille du Roi Amasis

Cited by 26 publications

References 0 publications

The Adoption of Ankhnesneferibre at Karnak

The Adoption of Ankhnesneferibre at Karnak

Egyptian Costumes in Saite Period between Renaissance and Novelty(ca. 657 - 525 B.C)

The Cambridge Ancient History

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