La (re)construcción de las identidades en la música popular andina en Perú: un campo de disputa y negociación cultural

Pineau, Fanny; Mora, Rodríguez

doi:10.15359/rep.6-1.4

Cited by 3 publications

(14 citation statements)

References 2 publications

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“…Frith, 1996). However, the music scene in Peru is extraordinarily complex due to its variety of expressions and cultural groups, where each region identifies with its own musical forms and styles (Pineau & Mora, 2011). Therefore, we could claim that there is no single style but instead several, and they correspond to the different regions in the country with their own cultural practices (Romero, 2008).…”

Section: Music Identity and Musical Genres In Andean Settingsmentioning

confidence: 99%

“…On the other hand, Chicha music originated from the mass migrations from the country to the city and appeared as a marginal urban phenomenon which became popular in the 1980s. It is partly a more Andean style fused with a more tropical genre (Pineau & Mora, 2011). However, this musical genre was stigmatized by the elites of Lima because the elements were not in line with the artistic canons valued by these elites (Pineau & Mora, 2011).…”

Section: Music Identity and Musical Genres In Andean Settingsmentioning

confidence: 99%

“…Frith, 1996). No obstante, el panorama de la música en el Perú es sumamente complejo debido a su variedad de expresiones y grupos culturales, donde cada región se identifica con sus propias formas y estilos musicales (Pineau & Mora, 2011). Por lo tanto, se podría afirmar que no existe un único estilo, sino que hay varios y que corresponden a las distintas regiones del país con sus propias prácticas culturales (Romero, 2008).…”

Section: Influencia De Géneros Musicales Con Contenidos Andinos En Lo...unclassified

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Influence of musical genres with Andean contents on the components of Peruvian national identity / Influencia de géneros musicales con contenidos andinos en los componentes de la identidad nacional peruana

Pacheco

Espinosa

Schmitz

2017

Revista de Psicología Social

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The purpose of this study is to analyse the influence of different musical genres with Andean influences (Huayno, Chicha and Rock/Fusion) on the components of Peruvian national identity. To this end, we enlisted the participation of 92 upper-middle-class people (M = 19.91, SD = 1.95). The participants were randomly assigned each music genre in three experimental groups: Huayno (n = 30), Chicha (n = 31) and Rock/Fusion (n = 31). The results show that Rock/Fusion is the most highly rated musical genre with the most positive influence on some stereotypical components of national identity, attitude towards music and positive emotions. In contrast, the more 'Andeanized' genres, especially Chicha music, are perceived more negatively and have fewer positive effects on the stereotypical components of national identity, attitude towards music and positive emotions. The discussion suggests that the influence of the musical expressions evaluated depends on the ascribed status of the social group where these expressions were originally conceived and are currently consumed.

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Section: Music Identity and Musical Genres In Andean Settingsmentioning

confidence: 99%

Section: Music Identity and Musical Genres In Andean Settingsmentioning

confidence: 99%

Section: Influencia De Géneros Musicales Con Contenidos Andinos En Lo...unclassified

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Influence of musical genres with Andean contents on the components of Peruvian national identity / Influencia de géneros musicales con contenidos andinos en los componentes de la identidad nacional peruana

Pacheco

Espinosa

Schmitz

2017

Revista de Psicología Social

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“…Función de Sublimación a su tierra y de difusión y fortalecimiento de la identidad del autor. Comprendiendo las vivencias emocionales y mezclando una serie de contravalores machista, promiscuidad y galantería al someter a la mujer principalmente con objeto de someterla (Pineau & Mora, 2011). Para reafirmar sus propiedades de nacimiento, historia y patriotismo (Eugenio Llactahuaman, 2019).…”

Section: Discusión De Resultadosunclassified

Conectivismo hermenéutico en la canción Yo Soy de Junín: Identidades hacia afuera

Gallardo

2021

Alborada

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El estudio conectivista hermenéutico de la canción Yo Soy de Junín es una investigación cualitativa de método hermenoeducativo. Se entrevistó a cuatro ciudadanos juninos identificados con el arte, cultura e investigación permanente, quienes interpretan la intención, el significado (atributos de nacimiento, historia, promiscuidad y galantería), la función (identificación, patriotismo, machismo y virilidad) y el condicionamiento socio ambiental (sentido de orgullo por el héroe Simón Bolívar y evolución de las canciones andinas) del autor de esta emblemática canción. Con el fin de interpretarla correctamente.

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“…For this study, two genres of interest are Andean music and Afro-Peruvian music. Both musical genres are considered representative of Peruvian "national" music but historically have not always been positively valued due to the status of the social groups they represent (Pineau & Mora, 2011;Rohner, 2013). It is only recently that this music is going through a process of renewed appreciation through various sociocultural projects promoted by different institutions in the country.…”

mentioning

confidence: 99%

Psychometric properties of a scale of attitudes toward musical genres linked to social groups in Peru

Pacheco

Espinosa

János

2022

Psychology of Music

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The present research seeks to develop a scale that can measure attitudes toward different musical expressions representative of different social groups, such as the Andean and Afro-Peruvian groups. The participants were 312 individuals between 18 and 83 years of age ( M = 32.42, SD = 14.97), and the majority had no professional musical knowledge. First, Exploratory Factor Analysis was performed using the Unweighted Least Squares as the extraction method and using Oblimin rotation for the Andean and Afro-Peruvian musical genres. An identical factorial structure with two dimensions was found for both musical genres, obtaining optimal reliability according to Cronbach’s alpha coefficients. This similarity was verified by performing an invariance analysis, obtaining evidence that the proposed scale can be used regardless of the musical genre. Furthermore, correlation analyses were performed between the dimensions of the attitudes scale and variables such as stereotypes (toward the Andean and Afro-Peruvian social groups) and conservative ideology; the results provided evidence of discriminant validity. Finally, comparisons were made between musicians and non-musicians using the same dimensions of the attitude scale as evidence for criterion validity. The results are discussed based on scale’s optimal psychometric functioning, as well as its implications at the level of intergroup dynamics.

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La (re)construcción de las identidades en la música popular andina en Perú: un campo de disputa y negociación cultural

Cited by 3 publications

References 2 publications

Influence of musical genres with Andean contents on the components of Peruvian national identity / Influencia de géneros musicales con contenidos andinos en los componentes de la identidad nacional peruana

Influence of musical genres with Andean contents on the components of Peruvian national identity / Influencia de géneros musicales con contenidos andinos en los componentes de la identidad nacional peruana

Conectivismo hermenéutico en la canción Yo Soy de Junín: Identidades hacia afuera

Psychometric properties of a scale of attitudes toward musical genres linked to social groups in Peru

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