The Song of Songs, composed probably in the third century
bce
, is one of the most influential poems in the Western erotic and mystical traditions, by virtue of its appearing in the Bible. It is a dialogue between two lovers in an idyllic pastoral landscape, seemingly without relation to the rest of the sacred text. It is, however, a critique of the biblical tradition, whose implicit question is: what was it all worth? For the Song, the answer is that love alone guarantees an ambiguous immortality. It is thus a tacit counter to Ecclesiastes' refrain that everything is illusory. I discuss the instability of gender in the Song and its questioning of patriarchy, to create a vulnerable maternal space for lovers' intimacy. This space is that of the poetic imagination, which is more real than the everyday world. The metaphors coalescence with the sound patterns of the Song to generate a synthesis of the body, the landscape, history, and the fauna and flora of ancient Israel.