“…In the last decades, lead isotope analysis of lead white ( 6 – 8 , 14 , 15 ) focused on the following: (i) the place of origin of the lead ore, i.e., its provenance ( 5 , 7 , 8 ); (ii) identification of paintings according to artistic groups ( 7 , 8 , 15 ); (iii) investigating the composition/variation of lead isotope of lead white within a single painting ( 6 ); and (iv) authentication of paintings, as in the case of the attribution of a copy of Saint Praxedis to Vermeer ( 16 , 17 ) or the attribution of Michiel Sweerts paintings to his period in Rome ( 18 ). Most recently, lead isotope analysis of lead white has also been coupled with the study of 14 C of the carbonate for dating purposes ( 15 , 19 ).…”