Leopoldo Alas, crítico literario

ResumenLas colaboraciones periodísticas de Galdós, Clarín y Pardo Bazán constituyen un testimonio inestimable de lo que fue el panorama teatral español entre los años 1864 y 1910. Su mirada crítica abarca dimensiones múltiples de dicho espectro: público, crítica, autores, actores e intentos de renovación frustrados (la reforma de Stanislavski o el Teatro Libre). El artículo busca poner en paralelo los juicios de los tres autores, manifestándose las muchas concordancias y sintonías.Palabras clave: teatro, siglo XIX, Galdós, Clarín, Pardo Bazán, colaboraciones periodísticas. AbstractThe journalistic Galdós, Clarín, and Pardo Bazán is an invaluable witness to what was the Spanish theater scene between 1864 and 1910. His critical view encompasses multiple dimensions of the spectrum: public, critics, authors, actors and frustrated attempts to renew (the breath of the reform of Stanislavsky or the Teatro Libre). This article seeks to parallel the trials of the three authors, demonstrating the many commonalities and affi nities.

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¿CuÁl es «la ilusión de realidad» para Clarín? (Primera parte)

Ogusu¹

1996

HISPANICA / HISPÁNICA

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Leopoldo Alas, crítico literario

Cited by 3 publications

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La resonancia del realismo: Galdós y Clarín entre fines de siglo

La resonancia del realismo: Galdós y Clarín entre fines de siglo

Brillo de candilejas: Emilia Pardo Bazán, Benito Pérez Galdós, Clarín y el teatro

¿CuÁl es «la ilusión de realidad» para Clarín? (Primera parte)

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