1989
DOI: 10.3406/arss.1989.2907
|View full text |Cite
|
Sign up to set email alerts
|

Les jeux de la violence

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
2
2
1

Citation Types

0
6
0
2

Year Published

1998
1998
2017
2017

Publication Types

Select...
6

Relationship

0
6

Authors

Journals

citations
Cited by 6 publications
(8 citation statements)
references
References 0 publications
0
6
0
2
Order By: Relevance
“…An act is mimetic 5 if it has a demonstrative and representative aspect and if it refers to other acts, as in the case of La Sape , where the reference to the model of the Western suit is omnipresent. According to Gebauer and Wulf (2004), a mimetic act is characterised by the central role played by the body. First, in La Sape , we have demonstrated the close link between luxury and the body, which constitutes a means of individuation.…”
Section: Discussionmentioning
confidence: 99%
See 1 more Smart Citation
“…An act is mimetic 5 if it has a demonstrative and representative aspect and if it refers to other acts, as in the case of La Sape , where the reference to the model of the Western suit is omnipresent. According to Gebauer and Wulf (2004), a mimetic act is characterised by the central role played by the body. First, in La Sape , we have demonstrated the close link between luxury and the body, which constitutes a means of individuation.…”
Section: Discussionmentioning
confidence: 99%
“…It reduces ambivalence and mixes Whites and Blacks. The self and the stranger infiltrate one another through this reduced ambivalence (Gebauer and Wulf, 2004).…”
Section: Discussionmentioning
confidence: 99%
“…54 This was especially the case with the Berlin Olympics and its Stadium which portrayed through its shape and resources a spectacle of'total art': a variety of performing arts in one single scenario, as earlier proposed by Wagner for his operas. The 1936 Olympics rehabilitated total art in the opening and closing ceremonies, juxtaposing thousands of performers in dancing, singing and gymnastic demonstrations synchronized with the athletes' parades, celebrations involving the symbolic Olympic torch and equally symbolic salutes from spectators and the Fiihrer.…”
Section: Bodies From Brazil: Fascist Aesthetics In Amentioning
confidence: 94%
“…La place du corps, la gestuelle et les techniques sont reconnus au même titre que les dimensions symboliques et temporelles de l'activité. En s'intéressant à l'agir humain, l'anthropologie historique allemande (Gebauer & Wulf, 2004) et la sociologie de l'agir (Joas, 1999) offrent des cadres qui accordent une grande importance au corps agissant, à la gestualité, au non verbal. L'idée majeure réside dans le fait que le corps unirait le sujet au monde dans sa capacité à intérioriser la société.…”
Section: La Dimension Culturelle De L'agir Professionnelunclassified
“…La reprise du geste du professeur par les élèves signifie qu'un accord se construit, mais que cet accord reste fragile d'où les interventions répétées du professeur. Gebauer et Wulf (2004) insistent sur l'effet d'intégration sociale joué par les gestes. A la fonction de socialisation du geste, se greffe la dimension symbolique puisque le propre du geste humain est de signifier au-delà de sa simple existence de fait.…”
Section: La Dimension Culturelle De L'agir Professionnelunclassified