Les plateformes de financement participatif culturel : une normalisation de la participation ?

Abstract

This article analyzes crowdfunding platforms for cultural goods and services. This article starts by defining the outlines of these platforms and showing how they are far from being alternatives to cultural industries. We then analyse how they become integrated as new intermediaries into what actors name "a creative ecosystem" that is dependent on logics of markets, on public politics, on partnerships and on education aimed at involving contributing/producing users.