“…The focus in this approach is on the perception of the structural and dynamic characteristics of real objects taking part in various transformations over time (events); certain structural and dynamic qualities of sound-producing objects would be directly available in the sounds produced, according to the laws of acoustic physics (for discussions of speech and music acoustics, see Fant, 1960;Roederer, 1973). Although this third approach has not been formally applied to research on cerebral asymmetries, it has been used in research and thinking about speech perception (e.g., Summerfield, 1978) and nonspeech auditory perception(e.g., Jenkins, Note 1; Warren, Note 2), as well as visual perception (e.g., Cutting & Koslowski, 1977;Johansson, 1973;Lee, 1980) and even infants' perception of natural events (e.g., Bahrick, Walker, & Neisser, 1981;Dodd, 1979;Ruff, 1980;Spelke, 1979). It would thus seem applicable to further study of the speech vs. music perceptual dichotomy in adults and infants (perhaps to cerebral asymmetries as well-see Fowler,Note 3).…”