2017
DOI: 10.7146/rt.v0i66.104055
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Lourdes. Processioner og kraft i Zolas roman Valfartsstedet

Abstract: Lourdes Processioner og kraft i Zolas roman Valfartsstedet K A T R I N E F R Ø K J AE R B A U N V I G ENGLISH ABSTRACT: This article outlines the emergence of Lourdes as a shrine. This sketch records how procession practices seem important in the cultural grounding of the site. But the article's real center of attention is a study of how French author-jounalist and intellectual, Republican free-thinker, Émile Zola's novel Lourdes depicts processions. The novel is driven forth by a critique of contemporary reli… Show more

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“…For the sketch of the local lourdais and the French clerical contexts, I draw on Ruth Harris's (1999) and Susan Kaufman's (2005) seminal works. These works also play a role in my outline of the French cultural-intellectual context, as does my own previous work on the French author-journalist Émile Zola and his Lourdes-skeptic 1894 novel Lourdes (Baunvig 2017). Combining the work of Jürgen Habermas (1962), Benedict Anderson (1983, Wolf Lepines (2006), and Franco Moretti (2013, 2014 into the hypothesis that, in late nineteenth-century Europe, the newspaper and the novel strived for the position as the leading Zeitgeist-interpretation organ, I see newspapers and (bestselling) novels as gateways to the public sphere in the nineteenth and early twentieth centurythe beginning of the modern era.…”
mentioning
confidence: 81%
“…For the sketch of the local lourdais and the French clerical contexts, I draw on Ruth Harris's (1999) and Susan Kaufman's (2005) seminal works. These works also play a role in my outline of the French cultural-intellectual context, as does my own previous work on the French author-journalist Émile Zola and his Lourdes-skeptic 1894 novel Lourdes (Baunvig 2017). Combining the work of Jürgen Habermas (1962), Benedict Anderson (1983, Wolf Lepines (2006), and Franco Moretti (2013, 2014 into the hypothesis that, in late nineteenth-century Europe, the newspaper and the novel strived for the position as the leading Zeitgeist-interpretation organ, I see newspapers and (bestselling) novels as gateways to the public sphere in the nineteenth and early twentieth centurythe beginning of the modern era.…”
mentioning
confidence: 81%