2017
DOI: 10.1080/10714413.2017.1262166
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Mamma don't put that blue guitar in a museum: Greene and Freire's duet of radical hope in hopeless times

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Cited by 5 publications
(1 citation statement)
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“…Through ‘playthinking’ the material experience and process of hope was given finer detail, especially in relation to ‘ordinary hope’ (Schumacher, 2003) and the suggested conative, affective, emotive and actant qualities or characteristics of hope. Ordinary hopes exist on a spectrum of ‘hope locutions’ (Godfrey, 1987), ranging from ‘everyday hope’ (Waterworth, 2004) through to ‘complex/critical hope’ (Webb, 2013), ‘sound hope’ (Godfrey, 1987), ‘audacious hope’ (Duncan‐Andrade, 2009) or ‘radical hope’ (Lake and Kress, 2017). They are all rooted in our experience of struggle and awareness of historical and structural hegemonic inequalities and therefore are a hope for social change with utopian imaginings.…”
Section: Hope As a Living ‘Conatus’ Narrativementioning
confidence: 99%
“…Through ‘playthinking’ the material experience and process of hope was given finer detail, especially in relation to ‘ordinary hope’ (Schumacher, 2003) and the suggested conative, affective, emotive and actant qualities or characteristics of hope. Ordinary hopes exist on a spectrum of ‘hope locutions’ (Godfrey, 1987), ranging from ‘everyday hope’ (Waterworth, 2004) through to ‘complex/critical hope’ (Webb, 2013), ‘sound hope’ (Godfrey, 1987), ‘audacious hope’ (Duncan‐Andrade, 2009) or ‘radical hope’ (Lake and Kress, 2017). They are all rooted in our experience of struggle and awareness of historical and structural hegemonic inequalities and therefore are a hope for social change with utopian imaginings.…”
Section: Hope As a Living ‘Conatus’ Narrativementioning
confidence: 99%