Masa Keemasan Teater Tradisional Mendu Kalimantan Barat

Abstract

The benefits of studying history, in addition to remembering the past, are also valuable lessons for future generations. Throughout history, the younger generation knows the cultural treasures of the nation so that they can preserve them. One of the original arts belonging to West Kalimantan is the traditional theater mendu. This theater was successful at the beginning of its emergence (1876 AD) until the Japanese colonial era. After that, it was dim because society was forbidden by Japan to gather and associate. Mendu was bloated again and became the belle of the '80s which was driven by the maestro Sataruddin Ramli (1948 -2015). However, this particular art of West Kalimantan is now only a memory. This research aims to describe the golden age of West Kalimantan's traditional theater. The method used is a descriptive qualitative form with a literature study approach. The results of the study describe (1) the glory period from the beginning of the emergence of the mendu to the Japanese occupation (1876 -1942), (2) the traditional theater of the mendu became the belle of the community (the 1980s -2000s). Factors that cause the mendu golden period include because in the past the world of entertainment was not yet sophisticated and modern, the characteristics of the traditional and simple community, the story that was served favored by the community at that time, the participation of the Regional Government of West Kalimantan, as well as coaching was held for the younger generation. AbstrakManfaat mempelajari sejarah, selain mengenang masa lalu, juga sebagai pelajaran berharga bagi generasi mendatang. Melalui sejarah, generasi muda mengetahui khazanah budaya yang dimiliki bangsanya sehingga dapat melestarikannya. Salah satu kesenian asli milik Kalimantan Barat adalah teater tradisional mendu. Teater ini pernah berjaya pada awal kemunculannya (1876 M) hingga zaman penjajahan Jepang. Setelah itu redup karena masyarakat dilarang oleh Jepang untuk berkumpul dan berserikat. Mendu bengkit kembali dan menjadi primadona sekitar tahun 80-an yang dimotori oleh sang maestro Sataruddin Ramli (1948 -2015). Namun, kesenian khas Kalimantan Barat ini sekarang hanya tinggal kenangan. Penelitian ini bertujuan mendeskripsikan masa keemasan teater tradisional mendu Kalimantan Barat. Metode yang digunakan adalah deskriptif berbentuk kualitataif dengan pendekatan studi kepustakaan. Hasil penelitian mendeskripsikan (1) masa kejayaan dari awal kemunculan mendu hingga penjajahan Jepang (1876 -1942), (2) masa teater tradisonal mendu menjadi primadona di masyarakat (1980an -2000an). Faktor-faktor penyebab masa keemasan mendu antara lain karena pada masa lalu dunia hiburan belum canggih dan modern, karakteristik masyarakat yang tradisional dan sederhana, cerita yang