2012
DOI: 10.1080/00438243.2012.669645
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Materialities, moving images and the Vancouver 2010 Winter Olympic Games

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Cited by 4 publications
(2 citation statements)
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“…Together, they think through how models of theatre and performance help generate interpretative knowledge of archaeological sites and artifacts, and how archaeology provides methods for generating site-specific, temporally dissonant performances. One might draw parallels here with work by Angela Piccini, an archaeologist by training based in a department of drama (see, for example, Piccini, 2009Piccini, , 2012.…”
Section: Concluding Remarks: the Archaeological Imaginationmentioning
confidence: 94%
“…Together, they think through how models of theatre and performance help generate interpretative knowledge of archaeological sites and artifacts, and how archaeology provides methods for generating site-specific, temporally dissonant performances. One might draw parallels here with work by Angela Piccini, an archaeologist by training based in a department of drama (see, for example, Piccini, 2009Piccini, , 2012.…”
Section: Concluding Remarks: the Archaeological Imaginationmentioning
confidence: 94%
“…Silk 2015;Klausen 1999;Hamilakis 2007, chap. 1;Piccini 2012). This use of the past is often related to a discussion of gender, representation and indigeneity, particularly at Games in settler society contexts such as the 2000 Sydney Olympics and the 2010 Vancouver Winter Olympics (e.g.…”
Section: 'The Isle Is Full Of Noises'mentioning
confidence: 99%