“…"This chain of names," Fehskens offers, "bears witness to what remains unrecoverable, an historical record of Africans on board the Zong" (2012,415). In this way, Philip forces her readers to account not only for the violence aboard the Zong but also for the violence of archival erasure (Austen 2011, Fehskens 2012, Hartman 2008, Lambert 2016, McKittrick 2014. Drift moves us between, forces us to confront illogic as we drift from sound to sound, borne on the invisible waves of Philip's literary imaginary.…”