2000
DOI: 10.1016/s0962-6298(99)00093-1
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McGuggenisation? National identity and globalisation in the Basque country

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Cited by 76 publications
(34 citation statements)
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“…The Guggenheim Museum was an expensive project, and researchers question whether the cultural life of the Basque Country might not have been better served by investing the money in local arts and artists. 18,19 This corresponds with Bianchini and Parkinson ' s conclusions that regeneration based around prestige attractions does little to benefi t the disadvantaged members of the community. 20 Early cultural regeneration projects failed to integrate low income and ethnic minority groups culturally, socially or spatially.…”
Section: Cultural Regeneration and Flagship Projectssupporting
confidence: 74%
“…The Guggenheim Museum was an expensive project, and researchers question whether the cultural life of the Basque Country might not have been better served by investing the money in local arts and artists. 18,19 This corresponds with Bianchini and Parkinson ' s conclusions that regeneration based around prestige attractions does little to benefi t the disadvantaged members of the community. 20 Early cultural regeneration projects failed to integrate low income and ethnic minority groups culturally, socially or spatially.…”
Section: Cultural Regeneration and Flagship Projectssupporting
confidence: 74%
“…De esta manera, los enormes halls aeroportuarios, 10 Debe decirse, que la arquitectura de vanguardia también está recibiendo críticas y llega a ser considerada un elemento de homogeneización urbana. Autores como McNeill (2000) y Muñoz (2008) denominan este fenómeno como «McGuggenizacion» o «Urbanalización», respectivamente. No obstante, en este trabajo se valora únicamente la intención con que se construyen los edificios, que es el proyectar imágenes de modernidad.…”
Section: Tabla 3 Principales Hitos Turísticos Del Mundo Por Nº Visitunclassified
“…Wullschlager (2012) of the Financial Times speaks of the "glitzy homogenised biennales and fairs", while Wilson-Goldie (2009) describes their exhibition-making as smoothing "very different and disparate works into a singular, homogenised visual language". Cultural events have thus become "McDonaldised" (Ritzer, 1993) -or, to use the equivalent art-world term, "McGuggenised" (McNeill, 2000;Werner, 2005).…”
Section: Large-scale Cultural Events: Perennial Art Exhibitionsmentioning
confidence: 99%