“…This is my way of doing cultural studies and trying to tell better stories, in my dual capacity as a cultural studies student, and a cultural producer. As I wrote in an autobiographical essay on this duality (Chow, 2009), sometimes ‘I, a lyrical writer, try to write what I have read from cultural studies into a cultural product’; while other times, I invite myself, ‘a cultural studies student, to read the product back into cultural studies’. In the end, I do remember the Deleuzian mantra of TIAM: there is always more .…”