2016
DOI: 10.21153/ps2016vol2no2art608
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ME, YOU, And US: Constructing political persona on social networks during the 2015 UK General Election.

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Cited by 10 publications
(8 citation statements)
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References 25 publications
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“…From a visual angle, he appeared on his own in the majority of the photos and videos, with mid-shots of him predominating. In line with the observations made by López-Rabadán andDoménech-Fábregat (2018, p. 1017), the presence of selfies, a format that may seem more spontaneous (Filimonov et al, 2016) and which is regarded as the modality par excellence for accessing the backstage (Usher, 2016), was fairly secondary. Nor were there numerous photos taken from Abascal's perspective, which might have demonstrated a certain degree of subjectivity (Zappavigna, 2016).…”
Section: Discussionsupporting
confidence: 75%
See 1 more Smart Citation
“…From a visual angle, he appeared on his own in the majority of the photos and videos, with mid-shots of him predominating. In line with the observations made by López-Rabadán andDoménech-Fábregat (2018, p. 1017), the presence of selfies, a format that may seem more spontaneous (Filimonov et al, 2016) and which is regarded as the modality par excellence for accessing the backstage (Usher, 2016), was fairly secondary. Nor were there numerous photos taken from Abascal's perspective, which might have demonstrated a certain degree of subjectivity (Zappavigna, 2016).…”
Section: Discussionsupporting
confidence: 75%
“…This also creates a feeling of closeness and familiarity with their followers, simulates sincerity or authenticity and, unquestionably, helps to maintain and increase the follower base (Marwick & boyd, 2011). These practices have become powerful self-presentation tools (Usher, 2016) allowing front-line politicians to convey messages in a clear and entertaining fashion to a wide audience (Street, 2004) and to 'humanise' themselves (Selva-Ruiz & Caro-Castaño, 2017). This phenomenon is not a novelty of the Digital Age but dates back to the convergence between entertainment and politics, which already has a long tradition in popular culture (Street, 2004;van Zoonen, 2006).…”
Section: Instagram and Political Communicationmentioning
confidence: 99%
“…Many sellers and buyers trade goods through social media platforms [3]. Political parties promote their policies through social media and demonstrate the excellence of their candidates [4]. Celebrities lead the culture by communicating with their fans through SNS [5].…”
Section: Introductionmentioning
confidence: 99%
“…Si bien hay otros investigadores que identifican ya un incipiente recurso de los memes en la estrategia de campaña de 2004 y de manera algo más significativa en la de 2008 (Jenkins, 2008). Desde entonces, los estudios sobre el uso de los memes como parte de la campaña online son cada vez más numerosos y se pueden contrastar experiencias en diferentes países (Adegoju y Oyebode, 2015;Jackson y Thorsen, 2015;Romero-Cárcamo, 2015;Gal, Shifman y Kampf, 2015;Usher, 2016) Hoy en día, los memes forman parte de los recursos habituales de las comunidades online a la hora de comentar acontecimientos de relevancia. En un contexto definido por la interrelación entre los formatos políticos y los de entretenimiento, los memes políticos online presentan bastantes similitudes, tanto por el tono, el discurso así como las herramientas empleadas.…”
Section: Rocio Zamora Medina; Salvador Gómez García; Helena Martínez Martínezunclassified