2019
DOI: 10.1080/13504509.2019.1651418
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Measuring sustainable development - the creative economy perspective

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Cited by 32 publications
(34 citation statements)
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References 26 publications
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“…A number of scholars and organisations (Fazlagi c & Skikiewicz, 2019;Florida, 2002Florida, , 2003Howkins, 2001;Nalkamura, 2018) (Agyeman, Bullard, & Evans, 2003) and of the 'creative city' (Landry, 2012) take us nowhere. According to Krueger and Buckingham (2012, p. 489), 'any policy or process must account for social inclusion, not merely environmental concerns'.…”
Section: Literature Review: the Link Between The Creative Economy Amentioning
confidence: 99%
See 1 more Smart Citation
“…A number of scholars and organisations (Fazlagi c & Skikiewicz, 2019;Florida, 2002Florida, , 2003Howkins, 2001;Nalkamura, 2018) (Agyeman, Bullard, & Evans, 2003) and of the 'creative city' (Landry, 2012) take us nowhere. According to Krueger and Buckingham (2012, p. 489), 'any policy or process must account for social inclusion, not merely environmental concerns'.…”
Section: Literature Review: the Link Between The Creative Economy Amentioning
confidence: 99%
“…A number of scholars and organisations (Fazlagić & Skikiewicz, 2019; Florida, 2002, 2003; Howkins, 2001; Nalkamura, 2018) view creative industries as leaders at the forefront of sustainable development. For example, Howkins (2001) treats the creative economy as one based on innovative ideas, although not on the exploitation of limited, traditional resources.…”
Section: Literature Review: the Link Between The Creative Economy Andmentioning
confidence: 99%
“…When the creative sector becomes part of an overall development and growth strategy, it can contribute to the revitalization of the national economy, where hybrid and dynamic economic and cultural exchanges take place [15,23]. Investing in culture, social capital, and creative industries as drivers of social development can also lead to results that contribute to the overall wellbeing of communities, individual self-esteem and quality of life, dialogue, and cohesion [24].…”
Section: Creative Industries Sustainability and Local Governmentsmentioning
confidence: 99%
“…The highly diversified sector of creative industries is an important element of the Polish economy, which has an ambition to catch-up with the most industrialised countries in the world, but it requires particular concern and care for its development [24][25][26][27][28]30,[32][33][34][35][36]. According to the European Commission statistics, the sector of cultural and creative industries in countries such as, among others, Poland, the Czech Republic, Hungary, or Slovakia, produces on average 2% GDP altogether [34].…”
Section: Creative Industries Sustainability and Local Governmentsmentioning
confidence: 99%
“…The concept of development of the creative clusters quickly gained popularity, amid economic priorities shifting from trade in goods to trade in ideas. [4] This theory was further developed by R. Florida, who, in turn, has singled out a new postindustrial classthe creative one.…”
Section: Introductionmentioning
confidence: 99%