The FRINGE series explores the roles that complexity, ambivalence and immeasurability play in social and cultural phenomena. A cross-disciplinary initiative bringing together researchers from the humanities, social sciences and area studies, the series examines how seemingly opposed notions such as centrality and marginality, clarity and ambiguity, can shift and converge when embedded in everyday practices.
Alena Ledeneva is Professor of Politics and Society at the School of Slavonic and East European Studies of UCL. Peter Zusi is Lecturer at the School of Slavonic and East European Studies of UCL.By adopting the tropes of 'repair' and 'waste', this book innovatively manages to link various material registers from architecture, intergenerational relations, affect and museums with ways of making the past present. Through a rigorous yet transdisciplinary method, Martínez brings together different scales and contexts that would often be segregated out. In this respect, the ethnography unfolds a deep and nuanced analysis, providing a useful comparative and insightful account of the processes of repair and waste making in all their material, social and ontological dimensions.Victor Buchli, Professor of Material Culture at UCL This book comprises an endearingly transdisciplinary ethnography of postsocialist material culture and social change in Estonia. Martínez creatively draws on a number of critical and cultural theorists, together with additional research on memory and political studies scholarship and the classics of anthropology. Grappling concurrently with time and space, the book offers a delightfully thick description of the material effects generated by the accelerated post-Soviet transformation in Estonia, inquiring into the generational specificities in experiencing and relating to the postsocialist condition through the conceptual anchors of wasted legacies and repair. This book defies disciplinary boundaries and shows how an attention to material relations and affective infrastructures might reinvigorate political theory.Maria This is a book about many things. Originally, it appears as a critique of discourses about the past, and yet it unfolds as an ethnography of pastness that deals with the contemporary city, geographies of affect, generational change and materiality. The work interweaves a number of topics related to how physical and cultural wasting are rarely synchronised, accounting for diverse ways of treating inheritances and the different intensities of urban memory that they generate. By studying the material and social afterlife of the Soviet world in Estonia, I attempt to show the dialectical relation between construction and demolition, and how the need to build something new entails the disinvestment and neglect of the legacies from the old regime. With a fringy anthropology, I explore how the vanquishing over the Soviet world happened on a different time scale from the decay of its legacy, allowing for new availabilities, intricate reappropriations and unforeseen opportunities for recuper...