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Fazioli, Roberto; Filippini, Massimo

doi:10.1023/a:1007341613767

Cited by 27 publications

(2 citation statements)

References 6 publications

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“…In Thorsby's later works there even appears a function of theatre production based on the assumption that the result of the theatre's activities translates into the number of viewers in general (Thorsby, 1994). In Italian studies, we come across an indicator measuring theatre services understood as the number of guest performances and own productions played in a given theatre and outside of it (Fiazoli and Filippini, 1997). The potential access to cultural services translated as the number of seats in a concert hall multiplied by the number of concerts was also assumed by Heilbrun (2003).…”

Section: Introductionmentioning

confidence: 99%

Criteria for the optimal financing model of public theatres

Gałecka

Smolny

2019

Review of Economic Perspectives

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The research is part of a wider research problem, whose aim is to find an optimal financing model for cultural institutions in Poland. The purpose of this research is to evaluate the performance indicators of municipal and regional theatres in the context of accessibility to cultural public services. The study forms a verification of previously distinguished indicators of the effectiveness of cultural institutions with a general direction: how to find an optimal financing model of public dramatic theatres. The current research problem is the accessibility of public dramatic theatres in the absence of criteria for the allocation of statutory subsidies. We hypothesise that the absence of criteria for the allocation of statutory subsidies highly diversifies the accessibility of performing arts organisations. The object of study is public dramatic theatres in Poland in the period 2011–2015. We investigated the indicators having an impact on the level of accessibility of public theatres. The statistical methods used allowed us to identify criteria affecting availability. These criteria are recognized in the literature. In addition, we indicate the level of diversification of accessibility by individual public theatres.

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Section: Introductionmentioning

confidence: 99%

Criteria for the optimal financing model of public theatres

Gałecka

Smolny

2019

Review of Economic Perspectives

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“…Zuidervaart(2010) seeksanswersconcerningquestionslikewhyshouldgovernmentprovidefundingfortheaterand otherarts?Heindicatesavigorouscaseforgovernmentfundingbasedoncrucialcontributionsthe artsmaketoacivilsociety.AccordingtoFederandKatz-Gerro(2012),itistruethatthefundingof artsismeanttosustainartisticorganizationsandtoprovidemoresupportasthedemandforartin thepopulationgrows,however,atthesametime,thisfundingreflectspowerrelationsinthesociety andmayhaveconsequencesforthepreservationoftheseinteractionsinawaythatparallelscultural policy in authoritarian states. In this case, Fazioli and Filippini (1997) examine a sample of 28 theaterinItalyandmentionthatthesubsidysystemseemstopromotetheconditionsforitscollapse, especiallysincethepublicbudgetneedstoconfrontfinancialshortageandcalledforareformof thestatesubsidysystemwhichpromotesalimitednumberofhigh-qualityperformances.Ginsburgh andThrosby(2006)arguethevalueoftheaterandartandcustomers'behaviortowardit.Theyalso analyzetheeffectofartontheeconomiesofdevelopedanddevelopingcountries,presentingan overviewonthehistoryofartmarket.…”

Section: Introductionmentioning

confidence: 99%

Modeling and Investigating the Economy and Production Structure of Iran Public Theater

Abdollahi

Ebrahimi

2019

International Journal of System Dynamics Applications

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Cultural productions are considered as a sign of civilization in modern societies. Theater is known as an important type of cultural productions, playing important role in the cultural economy of a society. Due to complexities of socio-economic interactions, this sector needs dynamic investigation to illuminate different aspects of possible potentials and threats. The present paper tries to find relationships between Iran public theater economy and production structure based on a dynamic model including all economic stages, namely production, distribution, and consumption to achieve a solid perception of Iran theater position. The authors use System Dynamics to create a model that can explain or mimic the behavior of the system in order to evaluate policies. Since Tehran City Theater complex is the sole place for the public theater in Iran, the authors assess it over the period 2012-2015 and predict its behavior to 2022. On the other hand, the investigation in this context is being directed in accordance with microeconomics principles. The results indicate that the position of Iran public theater is undesired due to vague managerial policy. Also, the findings offer insights into the problems and suggest practical solutions.

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Economies of Scope in Artists’ Incubator Projects

Whitaker

2022

Arts, Entrepreneurship, and Innovation

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Cited by 27 publications

References 6 publications

Criteria for the optimal financing model of public theatres

Criteria for the optimal financing model of public theatres

Modeling and Investigating the Economy and Production Structure of Iran Public Theater

Economies of Scope in Artists’ Incubator Projects

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