2018
DOI: 10.1080/00393630.2018.1486529
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Modeling of Light-Induced Changes in Reflectance Spectra: A Predictive Tool for the Effect of an Arbitrary Spectral Irradiance

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Cited by 10 publications
(10 citation statements)
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“…5,6 Photo damage in paper paintings is due to the photochemical reaction that occurs when the irradiated material absorbs the spectral energy of the light source, resulting in the denaturation of the functional groups of the material molecules, thus showing irreversible and permanent damage, such as fading and discoloration. 7,8 Galleries of paintings and artifacts are fully artificially illuminated environments, isolated from natural light, making artificial lighting the most important cause of damage to paintings. Contemporary museum lighting approaches aim to strike the right balance between two main themes: minimizing the potentially damaging effects of light on artworks and obtaining the optimum visual effect through light.…”
Section: Introductionmentioning
confidence: 99%
“…5,6 Photo damage in paper paintings is due to the photochemical reaction that occurs when the irradiated material absorbs the spectral energy of the light source, resulting in the denaturation of the functional groups of the material molecules, thus showing irreversible and permanent damage, such as fading and discoloration. 7,8 Galleries of paintings and artifacts are fully artificially illuminated environments, isolated from natural light, making artificial lighting the most important cause of damage to paintings. Contemporary museum lighting approaches aim to strike the right balance between two main themes: minimizing the potentially damaging effects of light on artworks and obtaining the optimum visual effect through light.…”
Section: Introductionmentioning
confidence: 99%
“…This will assist in the selection of the appropriate light source, which will inflict the least amount of damage to a particular artwork. 8…”
Section: Introductionmentioning
confidence: 99%
“…This will assist in the selection of the appropriate light source, which will inflict the least amount of damage to a particular artwork. 8 At present, there are two main methods used to evaluate lighting sources for cultural relics. The first is the colour temperature method, by which the protection of cultural relics is achieved by limiting the colour temperature of the light source.…”
Section: Introductionmentioning
confidence: 99%
“…The fundamental cause of color damage to dyed cultural relics is the photochemical reactions that occur after the illuminated pigment absorbs the spectral energy of a light source [7], [8]. However, the absorption and reflection properties of various types of pigments under the visible spectrum of different wavelength bands vary greatly, which is the basis of lighting protection to obtain the consistent influence of different wavelengths of visible light radiation on the color of various pigments.…”
Section: Introductionmentioning
confidence: 99%