2013
DOI: 10.1108/02635571311289638
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Music business models and piracy

Abstract: Postprint (published version

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Cited by 44 publications
(51 citation statements)
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References 36 publications
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“…Service business dynamics require the implementation of business models which capture value through consumer understanding (Bustinza et al, 2013a;Vargo and Lusch, 2008).…”
Section: Digital Dark Matter and Territorial Competitivenessmentioning
confidence: 99%
“…Service business dynamics require the implementation of business models which capture value through consumer understanding (Bustinza et al, 2013a;Vargo and Lusch, 2008).…”
Section: Digital Dark Matter and Territorial Competitivenessmentioning
confidence: 99%
“…The creative industries have been used for analysis in studies on: the Resource-Based View (RBV) of the firm using the major U.S. film studios (Miller and Shamsie, 1996); the relationship between technology acquisition and innovations in small media firms (Puranam et al, 2006); the role of innovation as strategic change, drawing on SMEs producing computer games (Hotho and Champion, 2011); consumer attitudes and service (Parry et al, 2012); and the role of the business model (Bustinza et al, 2013).…”
Section: Studies In the Creative Industriesmentioning
confidence: 99%
“…Digitization means supply chains have fundamentally changed (Graham and Smart, 2010) with costs of production and distribution significantly reduced (Byrne, 2012). However, customers are less willing to pay for digital content (Oberholzer-Gee and Strumpf, 2007) creating challenges for these industries related to the operation of firms in the market and consumers illegal file sharing activity (Bustinza et al, 2013). This paper focuses only upon the supply chain management challenge.…”
Section: Introductionmentioning
confidence: 99%
“…Estimates of unauthorised distribution vary from 13% to 48% of the legal market (Bustinza et al, 2013). As already discussed, it has been under debate, from different perspectives, but, even if some propose it can have positive effects, especially for new artists (Gopal and Sanders, 2001;Volz, 2006), it is still unauthorised under current legislation, and P2P networks face litigation and are forced to shut down operations.…”
Section: Digital Distributionmentioning
confidence: 99%