Musicalizing heritage and heritagizing music for enhancing community awareness of preserving world heritage sites in Africa

Ichumbaki, Elgidius B.; Lubao, Claudia B.

doi:10.1080/13527258.2019.1644527

Cited by 16 publications

(3 citation statements)

References 22 publications

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“…Por exemplo, Elgidius Ichumbaki e Claudia Lubao ilustraram como a música Bongo Flava, da Tanzânia -uma mistura de hip hop americano, reggae, R&B e afrobeats -, está sendo usada para conscientizar as pessoas sobre o valor do Sítio do Patrimônio Mundial de Kilwa Kisiwani no país. Isso efetivamente motivou os jovens a se interessarem pela preservação de monumentos e a participarem de iniciativas de conservação (Ichumbaki;Lubao, 2020). Há outra direção na arqueologia comunitária africana, como o trabalho que Rachel Engmann e Dorothy Engmann estão fazendo no Castelo de Christianborg, em Gana, que prioriza a colaboração com comunidades descendentes diretas no planejamento de projetos arqueológicos.…”

Section: História Da áFrica: Uma Nova Direçãounclassified

Os laços que nos unem: uma história arqueológica do cosmopolitismo africano/yorùbá e suas implicações para a colaboração no Atlântico Sul

Ogundiran,

Almeida,

Klussmann

2024

rsab

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Esta transcrição adapta a palestra de abertura ministrada por Akinwumi Ogundiran durante o evento da Sociedade Brasileira de Arqueologia (SAB), explorando a riqueza do cosmopolitismo africano/iorubá por meio da arqueologia, ao mesmo tempo que destaca as ligações históricas e culturais profundas entre a África e o Brasil no âmbito do Atlântico Sul. Através de evidências arqueológicas, linguísticas e etnográficas, Ogundiran demonstra como as sociedades africanas, particularmente a iorubá, estabeleceram sistemas complexos de governança, práticas religiosas e inovações tecnológicas que influenciaram e foram influenciadas pelas dinâmicas transatlânticas. A palestra enfatiza a necessidade de estudos interdisciplinares de longa duração tanto no continente africano quanto na análise da formação de identidades diaspóricas afro-brasileiras resultantes dessas trocas culturais, sublinhando a contribuição significativa do cosmopolitismo africano na criação de identidades culturais nos dois lados do Atlântico. A palestra realça a importância de reconhecer as contribuições africanas para a história global e propõe um fortalecimento na colaboração entre arqueólogos brasileiros e africanos para investigar mais profundamente a arqueologia da África e suas conexões transatlânticas.

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Section: História Da áFrica: Uma Nova Direçãounclassified

Os laços que nos unem: uma história arqueológica do cosmopolitismo africano/yorùbá e suas implicações para a colaboração no Atlântico Sul

Ogundiran,

Almeida,

Klussmann

2024

rsab

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“…With the idea of conceiving the monument as a spectacle, it often runs the risk of its possible trivialization, loss of authenticity or reconversion from a property to a simulacrum of reality as mentioned by Baudrillard and Proto [36]. On the other side, tourism as an instrument for the dissemination, education, and interpretation of heritage can be a turning point for many heritage assets at risk of disappearing, by promoting their valuation, maintenance, and social awareness [37]. Such actions are often carried out through various interpretative means, such as equipment (electronic light and/or sound systems), intermediaries (actors or interpretive guides), or information tools (signage).…”

Section: The Staging Of Heritage: the Monument As Spectaclementioning

confidence: 99%

A Tourism Potential Index for Cultural Heritage Management through the Ecosystem Services Approach

et al. 2021

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Tourism as a tool for the enhancement and conservation of heritage represents an opportunity for many managers of cultural properties. However, despite the numerous works developed so far on tourism governance, the elaboration of preliminary studies for decision-making in heritage buildings is still a challenge. Considering the ecosystem services approach, an index is proposed which allows tourism and cultural heritage managers to analyze and quantify the level of tourist exploitation (use) of a monument for the services (benefits) that it offers to society. In this paper, a multi-criteria evaluation system was proposed, related to the main use of the building and its relationship with various tourism components, which have been classified as cultural, leisure, recreational, lodging, catering, intermediation, transportation, and event organization. The model has been applied to the Parroquia del Mar (Alicante, Spain) of great cultural relevance, but not exploited for tourism. The results obtained demonstrate the usefulness and validity of the model, considered as a tool capable of bridging the gap between heritage conservation and its touristic use, highlighting the importance of the services offered as necessary attributes for its (re)valuation, combining the social benefits of its exploitation, its touristic use and the awareness of its conservation and protection.

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“…At present, the contemporary development of Guangxi's Harmony Amidst Change: Revitalizing Guangxi's Intangible Cultural Heritage Music in Higher Education ijor.co.uk 214 intangible cultural heritage music culture is facing a cultural crisis. The evolution of the social and cultural environment has made the contemporary development of Guangxi's intangible cultural heritage music increasingly difficult, while the development of folk music culture and education has been slow (Ichumbaki and Lubao, 2019). More and more young people have little understanding of folk music culture, and some performers of intangible cultural heritage folk music are as young as they are in their fifties.…”

Section: Introductionmentioning

confidence: 99%

Harmony Amidst Change: Revitalizing Guangxi's Intangible Cultural Heritage Music in Higher Education

Bing,

Ismail,

Sile

et al. 2024

Intl. J. Rel.

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Guangxi's intangible cultural heritage music culture has a long history, diverse types, and profound connotations. As a precious and primitive ethnic music cultural heritage, Guangxi's intangible cultural heritage can improve the quality of contemporary vocal teaching in professional skills such as music singing, instrument performance, enhance the training quality of national vocal music talents in China, and promote the development of folk music culture in China. However, as the rapid development of modern society, these valuable musical traditions are facing gradual marginalization and oblivion. Based on this phenomenon, this study interviewed four professors and four students in the field of music education, as well as conducted a detailed survey questionnaire on 347 students from four universities in Guangxi (Guangxi Arts University, Guangxi Normal University for Nationalities, Yulin Normal University, and Guangxi University of Foreign Language). The results show that students and educators maintain a strong interest in and a high level of respect for non-heritage music, despite the challenges of the current education system and resource allocation. Students and educators are eager to contribute to the preservation and transmission of this valuable cultural heritage to enhance the aesthetic and artistic sensibilities of university students and improve their musical aesthetic ability. Therefore, through investigation and analysis of the current situation and existing problems of music education in various universities, combined with the important significance of improving the music aesthetic ability of college students, targeted solutions are proposed to effectively improve the music aesthetic ability of music majors in universities.

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Musicalizing heritage and heritagizing music for enhancing community awareness of preserving world heritage sites in Africa

Cited by 16 publications

References 22 publications

Os laços que nos unem: uma história arqueológica do cosmopolitismo africano/yorùbá e suas implicações para a colaboração no Atlântico Sul

Os laços que nos unem: uma história arqueológica do cosmopolitismo africano/yorùbá e suas implicações para a colaboração no Atlântico Sul

A Tourism Potential Index for Cultural Heritage Management through the Ecosystem Services Approach

Harmony Amidst Change: Revitalizing Guangxi's Intangible Cultural Heritage Music in Higher Education

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