Músicas públicas, escuchas privadas : hacia una lectura de la música popular contemporánea

Navarro, Amparo Porta

doi:10.7203/puv-alg20-9579-0

Cited by 5 publications

(12 citation statements)

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“…Several authors have studied audiovisual productions as constructors of reality. More specifically, their music has been studied by [5] Morley [6] Porta and Sloboda [5][6][7]. Furthermore, it was a subject of interest in cinema for authors such as Adorno, Leppert and Chion [8][9][10].…”

Section: Language and Communicationmentioning

confidence: 99%

“…Meanwhile, narrative art analysed the form and material mentioned by Vygotsky [14] ('form' in terms of the plot or story, and 'material' in terms of the content or tale). In its connection to music, we can see growing trends towards cognitive aspects, with increased interest in the depiction Gómez-Ariza, Porta [6,15]. The music and soundtrack are part of the audiovisual production, along with the narration and image.…”

Section: Narrativementioning

confidence: 99%

“…The music and soundtrack are part of the audiovisual production, along with the narration and image. In some scenes, their role can be critical for the cinematographic narrative, as well as a major driver of emotions [6,16].…”

Section: Narrativementioning

confidence: 99%

“…Audiovisual music can be seen as a semiotic system that is structured and configured to create expressive meanings by staging a communicative chain, and whose meaning can be approached from two viewpoints: the person who speaks and the person who listens [6].…”

Section: Semioticsmentioning

confidence: 99%

“…The works reviewed on music show a transition from psychoacoustic to more cognitive viewpoints, with greater interest in aspects such as learning, memory or the performance; Gómez-Ariza, Porta [6,15]. Specifically, some authors studied the cognitive and significant effects of the media, highlighting the singularity of mental processes, the development of specific skills and its systems of symbols.…”

Section: Cognitive Aspectsmentioning

confidence: 99%

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Audiovisual Music from the Audience’s Viewpoint

Navarro¹

2023

The Intermediality of Contemporary Visual Arts

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The music of everyday life crosses areas whose borders are blurred, takes place on screens and forms part of the trinomial that connects it with the visual and narrative realms. This space of high emotional tension is created with characters, settings, stories and roles, and is of a spectacular nature. All this allows it to provide meaning, which confirms the need for this study. This work looks into audiovisual music and its connections with the narrative, image and story. To perform this approach, we will study the leitmotif, music as a figure and background, diegetic/extra-diegetic music and emotions from the audience’s viewpoint. Furthermore, to explore intermediality we will use a mixed method, with tools that include bibliographic reviews, content analyses and maps. With them, we will carry out relational and specific studies, while analysing the connections between music, image and narrative. This study explores the audiovisual experience and its perceptions through music.

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Section: Language and Communicationmentioning

confidence: 99%

Section: Narrativementioning

confidence: 99%

Section: Narrativementioning

confidence: 99%

Section: Semioticsmentioning

confidence: 99%

Section: Cognitive Aspectsmentioning

confidence: 99%

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Audiovisual Music from the Audience’s Viewpoint

Navarro¹

2023

The Intermediality of Contemporary Visual Arts

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Broadening the Scope of Music Didactics: Perception of the Sonic Environment as an Itinerary of Analysis and Learning in Higher Education

Porta¹

2018

ICERI2018 Proceedings

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Desplazamientos de la filosofía de la música: una reflexión sobre la literatura del siglo XXI

Lopera

2022

Perseitas

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Tradicionalmente, la tarea de pensar la música correspondía a la filosofía de la música, campo que recoge una tradición de siglos reflexión de segundo nivel sobre lo musical. Desde allí se prefiguraron ideas, valores y categorías que resultaron decisivos para el avance, no solo del corpus teórico (del cual derivaron campos especializados como la musicología y la estética musical), sino del arte musical mismo. Sin embargo, desde mediados del siglo pasado han emergido nuevos marcos comprensivos, germinados por la necesidad de acoger otras tesituras musicales que en la tradición se habían descartado, como es el caso de la música popular masiva. Así, la entrada al presente siglo deja una gran cantidad de trabajos que desde la estética, la antropología y la sociología procuran entender otras músicas y otros fenómenos que en la tradición de la filosofía de la música no habían sido atendidos. Es texto presenta una revisión de literatura sobre esos desplazamiento, en la cual se consideraron 107 textos. El trabajo pretende acercarse a algunas de esas ideas que, figurando en tradiciones emergentes, son —en todo caso— reflexiones sobre la condición de la música, es decir, reflexiones filosóficas sobre la música.

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Músicas públicas, escuchas privadas : hacia una lectura de la música popular contemporánea

Cited by 5 publications

References 0 publications

Audiovisual Music from the Audience’s Viewpoint

Audiovisual Music from the Audience’s Viewpoint

Broadening the Scope of Music Didactics: Perception of the Sonic Environment as an Itinerary of Analysis and Learning in Higher Education

Desplazamientos de la filosofía de la música: una reflexión sobre la literatura del siglo XXI

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