Musik Vokal Etnik Minahasa Budaya Tradisi  Dan Populer Barat

Lapian, Alrik; Mulyana, Aton Rustandi

doi:10.33153/dewaruci.v12i2.2529

Cited by 5 publications

(4 citation statements)

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“…Two previous practice-based research that resulted in musical compositions adopting Minahasan traditional music idioms are Perry Rumengan's Opo Empung Raraateme and Yudi Novrian Komalig's Watu Pinawetengan. Opo Empung Raraateme is a choral composition that combines Minahasan ethnic vocal music elements such as: zani, wangun, pêka, pêka'zani, èngkol, kaurê and Western choral compositional techniques (Lapian, 2016). Some of the uniqueness of this composition are: 1) the use of the throat sound instead of the bel canto singing technique; 2) the use of the glissando technique in singing as well as typical Minahasan ornamentation; 3) the harmony as the result of different melodic lines; and 4) the use of typical Minahasan mode scales (Lapian, 2016, p. 5).…”

Section: Literature Reviewmentioning

confidence: 99%

"Manguni," A Minahasan Cultural Identity: The Application of Practice-Based Research on A Program Music

Gosal,

Listya,

Komalig

et al. 2024

Resital

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Manguni is a Minahasan term for a carnivorous, nocturnal bird known as an owl. The manguni has the Latin name otus manadensis. Minahasan people believe that the manguni is a bird that brings news from Opo Wailan Wangko or God Almighty. In the modern era, mangunis have become endangered due to hunting and logging of trees that were mangunis' original habitat. The extinction of these birds has impacted the younger generation's understanding of the manguni as the identity of the Minahasan people, as well as the ancestral cultural values found in this bird. This research aims to introduce and preserve the noble values found in manguni to the younger generation through symphonic works that combine Minahasan and Western musical idioms. The use of orchestral instruments in nationalistic works has also been done by Romantic-era composers such as Bedrich Smetana, Antonin Dvorak, Bela Bartok, Zoltan Kodaly, and others. However, Manguni is the first orchestral composition to capture the magical figure of this bird musically. This research applies a qualitative and practice-based approach that positions the researcher as the vital instrument. Several stages of research include conceptualizing the composition, incorporating leitmotifs, adding extramusical ideas, pouring ideas or creations, composing detailed compositions, and evaluating. The research output is a descriptive programmatic musical work that uses manguni as an extramusical idea. Leitmotifs represent the nature and character of the manguni and its meanings to the Minahasan people. The work adopts Minahasan musical idioms, such as the rhythmic patterns of Kabasaran dance and the modes and ornamentation of Maengket singing. The Manguni movement is written in a sonata form consisting of exposition, development, recapitulation, and coda. The techniques used include polytonal, cluster, quartal, artificial harmony, polychord, sequence, augmentation, diminution, and retrograde.

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Section: Literature Reviewmentioning

confidence: 99%

"Manguni," A Minahasan Cultural Identity: The Application of Practice-Based Research on A Program Music

Gosal,

Listya,

Komalig

et al. 2024

Resital

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“…He was not just writing without reason. Western music influences and internalises the conceptions [23] of Mang Koko's reasoning to translate into his musical ideas. Mang Koko adapted traditional Western music symbols to blend his understanding (Sundanese and Western music).…”

Section: Adaptation Of Western Musical Symbolsmentioning

confidence: 99%

Reading Imagination Transfer Behind the Music Archive

Saiful,

Masunah,

Milyartini

2023

Advances in Social Science, Education and Humanities Research

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Koko Koswara, or Mang Koko, is a well-known artist as a reformer of Sundanese musical instruments. His work in the art world does not only involve creating works, but Mang Koko is active in education and literacy. His concern for literacy is reflected in his awareness of the importance of documenting musical works. Mang Koko documents his musical works in the form of musical manuscripts. In the current digital era, Mang Koko's musical manuscripts need to be digitised to preserve musical manuscripts and examine the meaning implied in musical manuscripts. The qualitative data that will be analysed using the content analysis method is obtained in several ways: literature study and analysis (interpretation). Through this study, one of Mang Koko's motives in the work process can be traced. This research describes the archive re-reading process that focuses on uncovering the transformation of Mang Koko's musical imagination into written language.

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“…Penelitian yang terdahulu diantaranya Makamea gidion, bahwa masyarakat Sangihe yang masih memegang budaya masampere masih menggunakan bahasa daerah yang saling menguatkan antar masyarakat di daerah tersebut. Sastra yang digunakan sangatlah kental akan budaya yang ada di kepulauan Sangihe, dengan berbagai macam (Lapian & Mulyana, 2017), bahwa Musik vokal yang pada etnik Minahasa secara keseluruhan merupakan budaya-budaya tradisi yang sudah terjadi kekereativitasan dalam bentuk baru dimana pengaruh dari musik popular atau musik barat yang menjadikan sebuah karya atau bentuk baru menambah suasana yang berbeda, budaya etnik Minahasa yang masih memiliki budaya musik vokal yang dimiliki setiap kelompok-kelompok seni disetiap wilayahnya.…”

Section: Pendahuluanunclassified

Pertunjukan Mebawalise: Tema dan Interpretasi Dialogis dalam Seni Vokal Masampere Masyarakat Kepulauan Sangihe pada Masa Pandemik Covid-19

Takalumang

2021

SLJIL

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Penelitian ini dilakukan pada upacara Mebawalise masyarakat kepulauan Sangihe terutama pada musik vokal masampere pada masa pendemik covid 19. Penelitian ini bertujuan untuk menelusuri bentuk pertunjukan seni vokal Masampere terutama mebawalise dalam sebuah upacara terdahulu dan dinterpretasikan pada masa sekarang. Penelitian ini menggunakan pendekatan deskriptif kualitatif, dengan tekhnik pengumpulan data observasi, wawancara dan studi dokumentasi, semua kegiatan dilakukan di Kab. Kepulauan Sangihe. Hasil penelitian ini ialah bentuk olah vokal masampere pada waktu sebelum pandemi yang masih dilakukan setiap tahunnya, dan bentuk pertunjukan upacara masampere sekarang ini yang dipentaskan di Kab. Kepulauan Sangihe pada Masa Pandemi Covid 19. Masyarakat kepulauan Sangihe untuk selalu menjaga seni vokal budaya yang ada. Simpulan penelitian ini bahwa bentuk seni vokal masampere mebawalise baik pelaksanaan maupun pertunjukan dari masa lalu hingga masa Pandemik Covid 19 sekarang ini. Keberadaan yang masih menjadikan seni vokal masampere sebagai identitas seperti direfleksikan dalam tema-tema yang terus diperhatikan dan pertahankan, dan kemasan pertunjukan dialogis yang menuntut dialektika interpretasi yang tepat.

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Musik Vokal Etnik Minahasa Budaya Tradisi Dan Populer Barat

Cited by 5 publications

References 0 publications

"Manguni," A Minahasan Cultural Identity: The Application of Practice-Based Research on A Program Music

"Manguni," A Minahasan Cultural Identity: The Application of Practice-Based Research on A Program Music

Reading Imagination Transfer Behind the Music Archive

Pertunjukan Mebawalise: Tema dan Interpretasi Dialogis dalam Seni Vokal Masampere Masyarakat Kepulauan Sangihe pada Masa Pandemik Covid-19

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