2020
DOI: 10.37448/dt.76909
|View full text |Cite
|
Sign up to set email alerts
|

Nästankärleken i tal och praxis

Abstract: Sammanfattning: Nästankärlek är en central kristen princip. I artikeln analyseras med ett diskursivt grepp hur begreppet nästankärlek tillämpades i Evangelisk-lutherska kyrkan i Finland i två aktuella diskussionsämnen – asylsökanden och samkönade kyrkliga vigslar. Betraktelseperioden omfattar åren 2015–2017 och grundar sig på biskoparnas uttalanden. Analysen visar att nästankärleken fick olika betydelser och dimensioner. I talet om asylsökanden ses nästankärleken som ett självklart och förpliktande handlingsun… Show more

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
1

Citation Types

0
1
0

Year Published

2022
2022
2022
2022

Publication Types

Select...
1

Relationship

0
1

Authors

Journals

citations
Cited by 1 publication
(1 citation statement)
references
References 3 publications
0
1
0
Order By: Relevance
“…27 In 2015, Hannimari Jokinen collaborated with migrants who share a refugee experience to create the project ‘Prints Left’. Discussing themes of globalisation, forced migration, war and colonialism in Hamburg, the project observed that ‘goods from all corners of the globe are rapidly and conveniently shipped here, whereas many people fleeing to Europe have to risk their lives using dangerous migration routes’ (Jokinen and Hoang, 2016: 87). To intervene in the HafenCity’s public space, the artist sought to manufacture large-scale banners that would carry oversized images of shoe prints of the refugees as well as their signatures – and to place these banners onto the building facades that display colonial names in the Überseequartier (see Figure 5).…”
Section: A Decolonial Turn In Public Memory? Civil Society Pressure A...mentioning
confidence: 99%
“…27 In 2015, Hannimari Jokinen collaborated with migrants who share a refugee experience to create the project ‘Prints Left’. Discussing themes of globalisation, forced migration, war and colonialism in Hamburg, the project observed that ‘goods from all corners of the globe are rapidly and conveniently shipped here, whereas many people fleeing to Europe have to risk their lives using dangerous migration routes’ (Jokinen and Hoang, 2016: 87). To intervene in the HafenCity’s public space, the artist sought to manufacture large-scale banners that would carry oversized images of shoe prints of the refugees as well as their signatures – and to place these banners onto the building facades that display colonial names in the Überseequartier (see Figure 5).…”
Section: A Decolonial Turn In Public Memory? Civil Society Pressure A...mentioning
confidence: 99%