2007
DOI: 10.1121/1.2434761
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Nearfield binaural synthesis and ambisonics

Abstract: Ambisonic encodings can be rendered binaurally, as well as for speaker arrays. This process is developed for general high-order Ambisonic encodings of soundfields containing near as well as far sources. For sufficently near sources an error is identified, resulting from the limited field of validity of the freefield harmonic expansion. A modified expansion is derived that can render such sources correctly.

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Cited by 45 publications
(32 citation statements)
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“…1 To account for the distance-dependence of HRTFs in the near-field, approaches have been proposed to estimate near-field HRTFs from measurements taken at a single distance. 2,[6][7][8][9] Recently, HRTF databases have been published containing measurements taken at various distances in the near-field. [10][11][12] However, there is a lack of algorithms and tools to make use of such databases.…”
Section: Introductionmentioning
confidence: 99%
“…1 To account for the distance-dependence of HRTFs in the near-field, approaches have been proposed to estimate near-field HRTFs from measurements taken at a single distance. 2,[6][7][8][9] Recently, HRTF databases have been published containing measurements taken at various distances in the near-field. [10][11][12] However, there is a lack of algorithms and tools to make use of such databases.…”
Section: Introductionmentioning
confidence: 99%
“…When this array is driven with appropriate signals to synthesize a desired virtual source, the HRIRs from the virtual source to the ears is synthesized. In [5,6] two techniques have been introduced which are based on higher-order Ambisonics (HOA) for the computation of the driving signals. The synthesis of virtual sources at closer distances than the loudspeaker array may be subject to instabilities when no countermeasures are taken.…”
Section: Range Extrapolation Of Hrirsmentioning
confidence: 99%
“…are sometimes used because both the complex-value and real harmonics have the same properties [9], [10]. First-order Ambisonics uses only spherical harmonics with degrees 0 and 1 to encode an audio signal, which results in a set of signals consisting of four channels: W, X, Y, and Z.…”
Section: Ambisonicsmentioning
confidence: 99%