2017
DOI: 10.1002/trtr.1626
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“Nobody Spoke Like I Did”: Picture Books, Critical Literacy, and Global Contexts

Abstract: In the 21st century, our students increasingly communicate, connect, collaborate, and interact with diverse cultures and traditions around the world, so they need to develop global literacy. This department column highlights research and research‐to‐practice at the international level to bring global best teaching practices to the forefront. Topics include international literacy instruction, international professional development, global literacy initiatives, global partnership and collaborative projects betwe… Show more

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Cited by 10 publications
(14 citation statements)
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“…However, while we agree with previous researchers that the focus on the story is an important part of children's engagement with picture books (Arizpe and Styles, , Roche, ), in line with our understanding of critical visual literacy, we wanted to invite the children to think about how “specific visual or textual features may be linked to an author's purposeful choice to shape the reader's view” (Callow, :234). In other words, we wanted them to think about ‘the text as construct' (Unsworth and Macken‐Horarik, , p. 66) and to focus on the picture book as ‘object' of analysis (Farrar, in Arizpe and Styles, , p. 160).…”
Section: Discussionsupporting
confidence: 68%
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“…However, while we agree with previous researchers that the focus on the story is an important part of children's engagement with picture books (Arizpe and Styles, , Roche, ), in line with our understanding of critical visual literacy, we wanted to invite the children to think about how “specific visual or textual features may be linked to an author's purposeful choice to shape the reader's view” (Callow, :234). In other words, we wanted them to think about ‘the text as construct' (Unsworth and Macken‐Horarik, , p. 66) and to focus on the picture book as ‘object' of analysis (Farrar, in Arizpe and Styles, , p. 160).…”
Section: Discussionsupporting
confidence: 68%
“…Teachers pursuing aims similar to ours could start with short lessons covering visual theory, illustrating how each feature of a picture book is a product of the author/illustrator choosing semiotic resources (Pantaleo, , Serafini, , Smith, ). These lessons would include teacher modelling of the kind I did in extract 2, seeking to equip the children with “a language to describe and analyse how various modes inform and persuade readers” (Callow, , p. 231), a key part of critical literacy. In a second step, teachers could then organise sessions similar to those we ran in our project, focusing on how to enable dialogue and critical discussions with them in the roles of manager, encourager, extender and director, but from a position of facilitating child talk.…”
Section: Discussionmentioning
confidence: 99%
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“…One common approach early childhood teachers might use to teach children about race and racial justice through multicultural picture books is known as a Critical Literacy approach (Callow, 2017; Kuby, 2011; Lewison, Leland, & Harste, 2008; Luke, 2012). Theoretically speaking, a critical literacy approach is guided by the following four tenets: disrupting commonly accepted understandings; interrogating multiple viewpoints; focusing on sociopolitical issues; and taking social action to promote social justice (Janks, 2010).…”
Section: Using Multicultural Picture Books: a Framework Of Approachesmentioning
confidence: 99%