2003 IEEE Workshop on Applications of Signal Processing to Audio and Acoustics (IEEE Cat. No.03TH8684)
DOI: 10.1109/aspaa.2003.1285860
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Non-negative matrix factorization for polyphonic music transcription

Abstract: In this paper we present a methodology for analyzing polyphonic musical passages comprised by notes that exhibit a harmonically fixed spectral profile (such as piano notes). Taking advantage of this unique note structure we can model the audio content of the musical passage by a linear basis transform and use non-negative matrix decomposition methods to estimate the spectral profile and the temporal information of every note. This approach results in a very simple and compact system that is not knowledge based… Show more

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Cited by 570 publications
(450 citation statements)
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“…Non-negative matrix factorisation (NMF) is a technique first introduced as a tool for music transcription in [119]. In its simplest form, the NMF model decomposes an input spectrogram X ∈ R K×N + with K frequency bins and N frames as:…”
Section: Spectrogram Factorisation-based Multi-pitch Detectionmentioning
confidence: 99%
“…Non-negative matrix factorisation (NMF) is a technique first introduced as a tool for music transcription in [119]. In its simplest form, the NMF model decomposes an input spectrogram X ∈ R K×N + with K frequency bins and N frames as:…”
Section: Spectrogram Factorisation-based Multi-pitch Detectionmentioning
confidence: 99%
“…in ranging from biology (Sotiras et al, 2015, Brunet et al, 2004, nuclear sciences or in to computer sciences (e. g. signal processing and pattern recognition; Smaragdis et al, 2003, Buciu et al, 2004). Devarajan's work focuses on the field of computational biology, however it also gives a remarkable outlook to the capabilities of NMF-analysis (Devarajan, 2008).…”
Section: Non-negative Matrix Factorization In Briefmentioning
confidence: 99%
“…The events or "spikes" in such codes represent sound "particles" that are usually fairly compact in the time-frequency space, and hence too primitive to effectively map higher-level structure of typical sound sources. Sparse coding has also been done in the space of spectral slices, or spectrogram time-frequency products [4,5]. These work fairly well for encoding musical notes in polyphonic music, which is what they were designed for, but are not well suited for sounds of a less periodic or regular sort.…”
Section: Introductionmentioning
confidence: 99%