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The most important surviving documentation concerning the succession case arising from the death of Duke John III of Brittany in 1341 consists of the arguments put forward in the names of John de Montfort and Charles de Blois (on behalf of his wife Joan de Penthièvre), the two chief contenders for the ducal title, and the procès-verbal of the interrogation of witnesses brought to testify about these arguments. Montfort's case, presenting reasons why Philip VI of France should allow him to do homage for Brittany, can be found in two contemporary copies, first, Archives départementales de la Loire-Atlantique, Nantes, E 6, which is the chief text edited here, and secondly, Archives Nationales, Paris, J 241, no. 44. There is also an abridged Latin version of Montfort's case in another contemporary copy, Archives Nationales J 241, no. 44bis. The arguments of Blois can now be found only in a late sixteenth-century copy, probably made by the celebrated Breton jurist, Bertrand d'Argentré (1519–90). Similarly a transcript or precis of the interrogation can be found only in d'Argentré's notes and in those of the antiquarian and genealogist, André Duchesne (1584–1640), these two manuscripts being respectively Bibliothèque Nationale, fonds français, nos. 18697 and 22338. Several copies exist of these documents, the chief amongst them being a copy of Archives Nationales J 241, no. 44 made following a commission issued in the Parlement of Paris on 15 January 1652 and now contained in Bibliothèque Nationale, MS. Nouvelles acquisitions françaises 7270, and another seventeenth-century copy of the same document, now British Museum, Additional Manuscript 30752.
The most important surviving documentation concerning the succession case arising from the death of Duke John III of Brittany in 1341 consists of the arguments put forward in the names of John de Montfort and Charles de Blois (on behalf of his wife Joan de Penthièvre), the two chief contenders for the ducal title, and the procès-verbal of the interrogation of witnesses brought to testify about these arguments. Montfort's case, presenting reasons why Philip VI of France should allow him to do homage for Brittany, can be found in two contemporary copies, first, Archives départementales de la Loire-Atlantique, Nantes, E 6, which is the chief text edited here, and secondly, Archives Nationales, Paris, J 241, no. 44. There is also an abridged Latin version of Montfort's case in another contemporary copy, Archives Nationales J 241, no. 44bis. The arguments of Blois can now be found only in a late sixteenth-century copy, probably made by the celebrated Breton jurist, Bertrand d'Argentré (1519–90). Similarly a transcript or precis of the interrogation can be found only in d'Argentré's notes and in those of the antiquarian and genealogist, André Duchesne (1584–1640), these two manuscripts being respectively Bibliothèque Nationale, fonds français, nos. 18697 and 22338. Several copies exist of these documents, the chief amongst them being a copy of Archives Nationales J 241, no. 44 made following a commission issued in the Parlement of Paris on 15 January 1652 and now contained in Bibliothèque Nationale, MS. Nouvelles acquisitions françaises 7270, and another seventeenth-century copy of the same document, now British Museum, Additional Manuscript 30752.
The Somnium of John of Legnano, the great Bolognese lawyer of the fourteenth century, was first properly brought to the attention of scholars by G. W. Coopland in 1926. Professor Coopland's chief concern was with the relationship between this work and the much more famous Somnium Viridarii, composed about 1375 at the court of King Charles V of France, whose author made some substantial borrowings from John's slightly earlier work. Though he supplied a synopsis of its content, Coopland gave it as his opinion that John's work was not in itself of any great interest, apart from the section in it which is devoted to a defence of papal monarchy, a section which, as the author makes clear, incorporates into the Somnium a tract on this matter which he had composed previously. This probably is the most interesting part of John's much larger and more ambitious work, which seems to have been written in 1372, but our opinion is that the other sections have rather more in them to reward the reader than Coopland suggested. This is the justification for an attempt to describe the work in more detail than he did and to discuss briefly some parts of its content and arguments.
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