“…The latter are distributed in three dimensions -metamoral, aesthetic, and logical -in which different combinations of responses to interpellations characterize different critical types and protocols. This matrix enabled the development of a research agenda on different experiences of the practical implementation of the critique-form (Werneck, 2019;2021a;2021b;2021c;Corôa, 2021;Wer-neck & Talone, 2022;Oliveira, 2022;Sales, 2022;Lemos, 2023). Here, we take a step back in the analysis of the construction and operation of the matrix to ask what happens earlier, during the moment when actors need to effectuate the passage from the wish to critique (something fundamentally emotional and interior) to actual critique -i.e., how a 'critical moment' (Boltanski & Thévenot, 1999: 359) is implemented in the world, the moment when people can no longer restrain themselves and need to manifest their criticism: "People, involved in ordinar y relationships, who are doing things together -let us say, in politics, work, unionism -and who have to coordinate their actions, realize that something is going wrong; that they cannot get along anymore; that something has to change.…”