O sonho do nixi pae. A arte do MAHKU – Movimento dos Artistas Huni Kuin

Mattos, Amilton Pelegrino de

doi:10.48074/aceno.v2i3.2521

Cited by 2 publications

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“…MAHKU, since its creation, has presented its artists' works in different spaces and art circuits, such as museums and galleries, especially those linked to contemporary art, and has also established partnerships with institutions of higher education, developing workshops and other activities that present aspects of the Huni Kuin's modes of knowledge and traditional records (such as the nixi pae songs) for a non-Indigenous (white) audience. As Mattos (2018) declares, holding these workshops in universities and museums aims to provide an exchange between different types of knowledge. 24 Below, in Figure 4…”

Section: Mahku Ni XI Pae and Anaconda Imagesmentioning

confidence: 99%

The Expressive Forms of Amazonian Indigenous Peoples and Ayahuasca: the Huni Kuin and other Pano groups

Goulart

2023

Anthropol of Consciousness

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I approach a set of processes that involve transformations, transpositions, and intermediations between different expressive forms of Amazonian Indigenous Peoples associated with the use of ayahuasca. I focus on groups of the Pano linguistic stock, particularly the Huni Kuin (Kaxinawa) and the example of the MAHKU (Movimento dos Artistas Huni Kuin), a new artistic collective created by some of these Indigenous People. I point to the complex meanings of the various expressive forms of these peoples, from traditional (oral narratives, graphics, visionary images linked to shamanic practices) to more recently adopted (figurative drawing and graphic recording in book format). I emphasize the importance of ayahuasca for the elaboration of these different expressive forms. By highlighting the meanings that imply the use of ayahuasca in certain Indigenous contexts, I also intend to contribute to the expansion of understanding of and broader debate about psychedelic experiences.

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Section: Mahku Ni XI Pae and Anaconda Imagesmentioning

confidence: 99%

The Expressive Forms of Amazonian Indigenous Peoples and Ayahuasca: the Huni Kuin and other Pano groups

Goulart

2023

Anthropol of Consciousness

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Música de fronteira, música de memória: o experimentalismo de DJs pela Semiótica da Cultura

Vargas

Carvalho

2019

Galáxia (São Paulo)

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Resumo O artigo analisa peças musicais de DJs experimentais a partir de duas categorias relacionadas à semiótica da cultura: semiosfera e suas fronteias; e memória da cultura, desenvolvidas pelo semioticista russo I. Lotman. São discutidas as características da música eletrônica de pista, seus subgêneros e as diferenças colocadas em experimentações produzidas por esses DJs. O corpus de análise é formado por composições de três artistas: DJ Tudo, Psilosamples e Dandara. A argumentação e a análise demonstram a efetividade dessas duas categorias para o entendimento das dinâmicas produtiva e criativa desse tipo de trabalho que destoa do mainstream da música pop eletrônica.

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O sonho do nixi pae. A arte do MAHKU – Movimento dos Artistas Huni Kuin

Cited by 2 publications

References 1 publication

The Expressive Forms of Amazonian Indigenous Peoples and Ayahuasca: the Huni Kuin and other Pano groups

The Expressive Forms of Amazonian Indigenous Peoples and Ayahuasca: the Huni Kuin and other Pano groups

Música de fronteira, música de memória: o experimentalismo de DJs pela Semiótica da Cultura

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