1979
DOI: 10.1080/00223980.1979.9915105
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Observer Characteristics Related to the Imitation of a Creative Model

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Cited by 8 publications
(4 citation statements)
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“…However, the complexity of the relationship between role models and individual creativity indicates that specific, rather than general, conditions must exist for group processes to prompt increased group members' creativity (Amabile, 1996;Halpin et al, 1979;Landreneau and Halpin, 1978). For example, Zhou (2003) found in two field studies that employee creativity increased when creative coworkers interacted with supervisors who engaged 356…”
Section: Work Contextmentioning
confidence: 95%
“…However, the complexity of the relationship between role models and individual creativity indicates that specific, rather than general, conditions must exist for group processes to prompt increased group members' creativity (Amabile, 1996;Halpin et al, 1979;Landreneau and Halpin, 1978). For example, Zhou (2003) found in two field studies that employee creativity increased when creative coworkers interacted with supervisors who engaged 356…”
Section: Work Contextmentioning
confidence: 95%
“…Next to prior knowledge, another important learner characteristic that has been extensively studied in research on modeling examples is students' self-efficacy (e.g., Schunk and Hanson 1985), which may differentially affect the effectiveness of different types of models (see also the paragraph on model-observer similarity in the section on example design). Some research has also addressed variables such as self-esteem and locus of control as mediating learner characteristics for observational learning (e.g., Halpin et al 1979). Fouts and Click (1979) found that extroverted children learned more than introverted children across three modeling conditions.…”
Section: For What Kinds Of Learners Is Example-based Learning Effective?mentioning
confidence: 99%
“…On the one hand, some studies have demonstrated that the presence of creative models led observers to exhibit relatively high levels of creativity themselves (e.g., Bloom & Sosniak, 1981;Gary & Glover, 1975;Mueller, 1978;Zuckerman, 1977). On the other hand, some studies have shown that the presence of creative models had no positive effects on observers' creativity and may even lead the observers to exhibit relatively low levels of creativity (e.g., Halpin, Halpin, Miller, & Landreneau, 1979;Zimmerman & Dialessi, 1973).…”
mentioning
confidence: 99%
“…What seems to be clear from this literature is that the relation between the presence of creative models and creativity is much more complex than previously thought (Amabile, 1996). It is possible that only under certain conditions can the presence of creative models have a positive impact on creativity (Amabile, 1996; Halpin et al, 1979; Landreneau & Halpin, 1978). Thus, identifying what factors may interact with the presence of creative models to influence observers' creativity would be a more fruitful avenue of research than continuing the debate of whether the presence of creative models has a direct or main effect on creativity.…”
mentioning
confidence: 99%