On Objects and Things: The Wilkie Wedding Dress and the Drawings of Sarah Casey

Mida, Ingrid

doi:10.29311/mas.v17i3.3213

Cited by 2 publications

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“…Moodboard Ragam hias untuk manipulating fabric ini memiliki ukuran berdiameter 4 cm untuk 1 pola lingkaran sedangkan ukuran 1 bunga memiliki diameter 8 cm. salah satu unsur yang mempengaruhi desain pakaian ataupun benda lainnya (Mida, 2019). Ragam hias Ni'o afi afi tersebut yang nantinya dijadikan icon atau aksen utama dari busana gaun pengantin wanita.…”

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Penerapan Ragam Hias Ni’o afi afi dengan Teknik Circle and Triangles pada Gaun Pengantin

Epyravita

Prihatina²

2022

BAJU

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The purpose of this research is to determine the process of application and the result of the development of ni'o afi-afi ornaments as wedding dress ornaments. Inspired by the folklore of North Sumatra "Samaehowu Foriwu", which means nobility. Ni'o afi afi was developed into a manipulating fabric circle and triangle plus sequin embroidery to add a luxurious and beautiful impression. The method used is Double Diamond, which consists of 4 stages, namely discover, define, develop and deliver. To get a response to the results of the application of the ni'o afi-afi decoration, a questionnaire was used to see the suitability of the design of the source of inspiration, the accuracy of the process according to the source of inspiration to the suitability of the result of the design and the source of inspiration. The results obtained from the aspect of design, process and finished products received a very good response. In the design aspect, both the color and the silhouette match the source of ni'o afi afi's inspiration. In the aspect of the process of realizing manipulating fabric circles and triangles with the addition of sequin embroidery, a very good response was obtained. The finished results obtained in terms of suitability of results and usability also received a very good response, namely the application of the ni'o afi afi decoration with the circle and triangles technique on the wedding dress as a whole very much in accordance with the source of inspiration.

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Section: Discoverunclassified

Penerapan Ragam Hias Ni’o afi afi dengan Teknik Circle and Triangles pada Gaun Pengantin

Epyravita

Prihatina²

2022

BAJU

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Drawing as a Creative Approach to Researching Extant Garments: A Case Study Involving John Ruskin's Clothing

Mida¹,

Casey²

2020

Costume

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Reading the clues embedded in extant clothing demands both imagination and patience since the subtle marks of wear, use and alteration may only become evident with extended observation and reflection. During the course of a project undertaken in conjunction with the bicentenary celebrations of John Ruskin's birth culminating in the exhibition of Sarah Casey's drawings in Ruskin's Good Looking! (8 February–7 April 2019), the authors studied the garments of John Ruskin at Brantwood, his former home in the Lake District. The life-sized drawings of these garments produced by Casey mapped the absent presence of the former wearer, allowed visitors the opportunity to better see and reflect on Ruskin's clothing, and also revealed the hidden histories of Ruskin's garments. Drawing, the making of marks with meaning, is not an obvious research tool in dress history and curatorial practice but, as this case study shows, can expose subtle details and reveal new insights.

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On Objects and Things: The Wilkie Wedding Dress and the Drawings of Sarah Casey

Cited by 2 publications

References 1 publication

Penerapan Ragam Hias Ni’o afi afi dengan Teknik Circle and Triangles pada Gaun Pengantin

Penerapan Ragam Hias Ni’o afi afi dengan Teknik Circle and Triangles pada Gaun Pengantin

Drawing as a Creative Approach to Researching Extant Garments: A Case Study Involving John Ruskin's Clothing

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