Gender segregation in the public domain has become a cornerstone of the Saudi interpretation of Islam (Doumato 2009). It is a development that has led to the coming about of extensive separate public spaces that are only for women (Doumato 2009;Hamdan 2005;Le Renard 2008. In these women-only public spaces, women undertake activities that are by them and for them, therewith reinforcing the existence of these separate structures. This institutionalisation and practice of womenonly public spaces, as well as its opposite phenomenon of 'mixing' between the two sexes (ikhtilāṭ) however is contested and led to a heated debate. This debate centres around the question of whether and if so, how women should participate in the public domain. Starting with an overview of the historical development of women-only public spaces and ikhtilāṭ in Saudi Arabia, I will show how these have evolved. Drawing on fieldwork among urban, educated Saudi women, I shed light on how attitudes and strategies of female respondents regarding women-only public spaces and ikhtilāṭ are related to their ideas about their presence in the public domain and notions of 'the liberation of women', 'empowerment', and 'the rise of women'. I conclude by demonstrating how ideas about the participation of women in the public sphere are positioned as part of the construction of a local, 'enchanted' modernity (Deeb, 2006) that has a material and a spiritual dimension.