Legal Issues in Global Contexts: Perspectives on Technical Communication in an International Age 2014
DOI: 10.2190/liic10
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Orphan Works and the Global Interplay of Democracy, Copyright, and Access

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Cited by 3 publications
(3 citation statements)
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“…Orphan works tidak mempunyai kaitan dengan anak yatim. Di sisi undang-undang hak cipta, orphan works ditakrifkan sebagai karya seperti buku, gambar dan lagu yang masih dilindungi hak cipta tetapi pemilik hak ciptanya tidak dapat dikenal pasti, dihubungi atau dijejaki oleh pihakpihak yang berminat untuk menggunakannya (US Copyright Office, 2015;Copenhaver, 2014). Berdasarkan takrifan di atas, sesuatu karya dianggap…”
Section: Pengenalanunclassified
“…Orphan works tidak mempunyai kaitan dengan anak yatim. Di sisi undang-undang hak cipta, orphan works ditakrifkan sebagai karya seperti buku, gambar dan lagu yang masih dilindungi hak cipta tetapi pemilik hak ciptanya tidak dapat dikenal pasti, dihubungi atau dijejaki oleh pihakpihak yang berminat untuk menggunakannya (US Copyright Office, 2015;Copenhaver, 2014). Berdasarkan takrifan di atas, sesuatu karya dianggap…”
Section: Pengenalanunclassified
“…This makes the creation of copyrighted works easy and less costly, but with less or no information about the owner (Maggs, 2010). Thus, in today's world, technology is becoming more readily available and advanced (Thompson, 2006) and is contributing to the creation of orphan works, as, in the digital age, society tends to rely on digital copies of a work rather than the traditional hard copies in physical libraries (Copenhaver, 2006).…”
Section: Technological Advancementsmentioning
confidence: 99%
“…Orphan works are copyright-protected works and whose owners cannot be identified or located by prospective users for copyright clearance (US Copyright Office Office, 2015, Copenhaver, 2014. A work becomes an "orphan" when these two requirements are satisfied.…”
Section: Introductionmentioning
confidence: 99%