2018
DOI: 10.26522/ssj.v11i2.1522
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Participatory Filmmaking Pedagogies in Schools: Tensions Between Critical Representation and Perpetuating Gendered and Heterosexist Discourses.

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Cited by 8 publications
(4 citation statements)
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“…These models emphasize the dissemination of information and media contents that are otherwise unavailable in mass media. In these instances, the involvement of internet users in the creation of content and messages is emphasized as a means for agency, equity, empowerment, and change towards social justice (Cadiz, 2005;Low et al, 2012;Rogers, 2017;Yadlin-Segal, 2019). But, as exemplified in the paragraphs above, there is an inherent contradiction in the process.…”
Section: Understanding Diversity Through Content: Questions Of Access...mentioning
confidence: 99%
“…These models emphasize the dissemination of information and media contents that are otherwise unavailable in mass media. In these instances, the involvement of internet users in the creation of content and messages is emphasized as a means for agency, equity, empowerment, and change towards social justice (Cadiz, 2005;Low et al, 2012;Rogers, 2017;Yadlin-Segal, 2019). But, as exemplified in the paragraphs above, there is an inherent contradiction in the process.…”
Section: Understanding Diversity Through Content: Questions Of Access...mentioning
confidence: 99%
“…This comparison is based on a review of critical pedagogy following Freire (1970) and a study of various cases of collaborative audiovisual creation. However, in addition to including those authors or specific cases that place Freire's contribution as a fundamental reference in the didactic conception of their initiatives (Zemits, 2014;Rogers, 2017) or of participatory video as a whole (Roberts & Muñiz, 2020), we also include various bibliographical references that look at the development of their collaborative creation practices. Thus, Baumann et al (2020) discusses a project that began with training in cinematography, then preceded to filming, and later, to collective analysis.…”
Section: The Learning Process In Collaborative Audiovisual Creationmentioning
confidence: 99%
“…Some early videos reflected social norms uncritically (e.g. women’s roles)—common at this stage (Shaw, 2021; Rogers, 2018). Considering participatory visual methods, Rose (2012) emphasises the importance of the makers’ readings of their outputs, and as with the maps and timelines produced, the intention is that videos materials are used to prompt reflective dialogue.…”
Section: Ways Of Seeing—generating Diverse Subjectivities and Deepeni...mentioning
confidence: 99%