Peer Re-Production and an Extended Culture Industry. The Case of TV Content and Redistribution in Europeanizing and Globalizing Poland

Filiciak, Mirosław; Toczyski, Piotr

doi:10.5604/2354029x.1111244

Cited by 5 publications

(4 citation statements)

References 7 publications

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“…Search for the metaphors most relevant for school social work may be assisted by reference to the ideas of Janusz Korczak, who was an education philosopher and practitioner, a proponent of user-generated content six decades before the Internet appeared. His work with the young editors had some proto-internet characteristics (Filiciak and Toczyski, 2012). Several decades after Korczak, in an educational milieu inspired by Korczak's perspective, the metaphor of user-generated content as a garden appears (Bortnowska, 2008).…”

Section: Media Space Public Debates and Underlying Philosophies Of Ga...mentioning

confidence: 99%

School Social Workers in Human Rights Education Against Hate Speech in Poland

Toczyski

Grudzień

Sopyło

2022

IJPINT

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Our aim is to show how digital skills training for school social workers in Poland became possible with the involvement of human rights activists, media, intellectuals and human rights trainers. School social work in Poland has become the focus of activity for trainers focused on human rights. The huge training process began in response to the need for hate speech prevention which was first expressed in Polish intellectual circles and mainstream media. It led to the school social work development programme, based on the metaphor of garden and gardening within the hate speech prevention discourse. We describe action research focused on our way of teaching school social workers to be the gardeners of the internet space.

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Section: Media Space Public Debates and Underlying Philosophies Of Ga...mentioning

confidence: 99%

School Social Workers in Human Rights Education Against Hate Speech in Poland

Toczyski

Grudzień

Sopyło

2022

IJPINT

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“…We decided to call it 'peer re-production of TV content', with the hyphen directing attention to the non-productive quality of reproduction: ie. re-production as it was named in previous work introducing the concept (Filiciak and Toczyski, 2014).…”

Section: Internet Usage As Non-creative Peer Re-productionmentioning

confidence: 99%

“…Yochai Benkler describes the commons-based peer production as a "radically decentralized, collaborative, and nonproprietary; based on sharing resources and outputs among widely distributed, loosely connected individuals who cooperate with each other without relying on either market signals or managerial commands" (2006: 60). In a similar manner, peer re-production works: anonymous Internet users share their resources (disk space, network connections, stored files), exchanging them in a non-hierarchical and out-market mode (Filiciak and Toczyski, 2014). This definition is best suited for p2p file-sharing networks.…”

Section: Internet Usage As Non-creative Peer Re-productionmentioning

confidence: 99%

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The History of Sharing Video Content in Poland: Analog copies of the 1980s as a Factor of Digital Peer Re-production in the 2000s

Toczyski

Filiciak

2018

Studies in Global Ethics and Global Education

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We depict practices of Polish audiences in communist Poland and the transition of these practices after the fall of communism. In Eastern Europe, digital distribution of video content has been built on semi-peripheral culture of VHS tapes copying and sharing. Although the unique Polish 20th century historical trajectory contains the experience of being excluded from Western popular culture, the first decade of 21st century brought unlimited digital access to audiovisual content. Peer re-production, a non-creative mode of participation increased. Our article provides new historical data illustrating this specificity both in terms of historical experience and globalizing technological progress.

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On the harsh realities of researching television in Poland: Traditions, obstacles and perspectives

Szostak

2022

Critical Studies in Television: The International Journal of Te

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Television studies in Poland has not yet been recognized as an academic discipline in its own right. Despite this obvious omission in the institutional division of academic fields, Polish researchers have been studying television: its texts, audiences and history. This aerial review aims to present the main intellectual traditions that influenced academic writing of Polish scholars on the topic of television, both domestic and imported. This focus on research conducted by Polish scholars, and written mainly in Polish, allows for an examination of the body of work that is otherwise inaccessible to Anglo-American researchers due to the language barrier. Local academic debates are presented in a way that reflects the main disciplinary criteria of Anglo-American television studies, allowing for a clear organization of what is a substantial amount of literature. Additionally, this review aims to give a sense of what it is like to study television in an environment where TV criticism and analysis are not granted the status of an academic discipline. The consideration of the broader context for Polish studies on television allows for a thorough understanding of this academic field, its focus, main methodologies, challenges and its way forward.

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Peer Re-Production and an Extended Culture Industry. The Case of TV Content and Redistribution in Europeanizing and Globalizing Poland

Cited by 5 publications

References 7 publications

School Social Workers in Human Rights Education Against Hate Speech in Poland

School Social Workers in Human Rights Education Against Hate Speech in Poland

The History of Sharing Video Content in Poland: Analog copies of the 1980s as a Factor of Digital Peer Re-production in the 2000s

On the harsh realities of researching television in Poland: Traditions, obstacles and perspectives

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